Difference between revisions of "Rolleiflex"

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(Noted that 'Rolleiflex' name is also used on non-TLR cameras,and linked back to relevant sections of Rollei. Replaced 120 mm with 6x6)
(Noted relationship with the Rolleidoscop.)
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Rollei also used the name '''Rolleiflex''' for several ranges of [[Rollei#Medium Format SLR|medium-format SLR]] and [[Rollei#35mm SLR|35mm SLR]] cameras from the late 1960s to the 90s, one [[Rolleiflex SL26|SLR for 126 film]], and one digital camera. However, the name is most closely associated with the TLR cameras.  
 
Rollei also used the name '''Rolleiflex''' for several ranges of [[Rollei#Medium Format SLR|medium-format SLR]] and [[Rollei#35mm SLR|35mm SLR]] cameras from the late 1960s to the 90s, one [[Rolleiflex SL26|SLR for 126 film]], and one digital camera. However, the name is most closely associated with the TLR cameras.  
  
The Rolleiflex TLR with its simple construction and high quality optics was a widely used professional camera post war, but the late fifties introduction of much more versatile SLR cameras in 35mm (Nikon) and 6x6 (Hasselblad) formats spelled the end. Rollei did later introduce SLR cameras but never regained their market position.
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The Rolleiflex TLR was first made in 1927, shortly after the [[Rolleidoscop]], a stereo camera with a focusing reflex viewfinder, and might be seen as derived from it. With its simple construction and high quality optics, the TLR was a widely used professional camera, but the late fifties introduction of much more versatile SLR cameras in 35mm (Nikon) and 6x6 (Hasselblad) formats spelled the end. Rollei did later introduce SLR cameras but never regained their market position.
  
 
One of the early Rolleiflex innovations was the speed winder whereby a single turn of the winder handle advanced the film and cocked the shutter. This seemingly simple innovation, which required quite complex gearing, transformed the camera especially compared to plate cameras that were still commonly used by press photographers well into the fifties. Popular with press and sports photographers, the camera was also popular with fashion photographers. The in lens leaf shutter meant flash could be used at any shutter speed and the reflex image was bright since the separate viewfinder lens had a large aperture.
 
One of the early Rolleiflex innovations was the speed winder whereby a single turn of the winder handle advanced the film and cocked the shutter. This seemingly simple innovation, which required quite complex gearing, transformed the camera especially compared to plate cameras that were still commonly used by press photographers well into the fifties. Popular with press and sports photographers, the camera was also popular with fashion photographers. The in lens leaf shutter meant flash could be used at any shutter speed and the reflex image was bright since the separate viewfinder lens had a large aperture.

Revision as of 11:27, 16 January 2012

Rolleiflex is the name of most of the 6×6 TLR cameras manufactured by Franke & Heidecke and later Rollei GmbH, in Germany. There was also a range of less expensively specified models named Rolleicord.

Rollei also used the name Rolleiflex for several ranges of medium-format SLR and 35mm SLR cameras from the late 1960s to the 90s, one SLR for 126 film, and one digital camera. However, the name is most closely associated with the TLR cameras.

The Rolleiflex TLR was first made in 1927, shortly after the Rolleidoscop, a stereo camera with a focusing reflex viewfinder, and might be seen as derived from it. With its simple construction and high quality optics, the TLR was a widely used professional camera, but the late fifties introduction of much more versatile SLR cameras in 35mm (Nikon) and 6x6 (Hasselblad) formats spelled the end. Rollei did later introduce SLR cameras but never regained their market position.

One of the early Rolleiflex innovations was the speed winder whereby a single turn of the winder handle advanced the film and cocked the shutter. This seemingly simple innovation, which required quite complex gearing, transformed the camera especially compared to plate cameras that were still commonly used by press photographers well into the fifties. Popular with press and sports photographers, the camera was also popular with fashion photographers. The in lens leaf shutter meant flash could be used at any shutter speed and the reflex image was bright since the separate viewfinder lens had a large aperture.

The biggest disadvantage of a fixed lens was only partly addressed by versions with different focal lengths.

Rolleiflex TLR models

"Original", "standard" and f/3.5 models of Rolleiflex

  • Rolleiflex 3.5F Model 1 (1958-60)
  • Rolleiflex 3.5F Model 2 (1960)
  • Rolleiflex 3.5F Model 3 (1960-64)
  • Rolleiflex 3.5F Model 4 (1965-76)
  • Rolleiflex 3.5F Model 5 (1979)

Rolleiflex 2.8

  • Rolleiflex 2.8A Type 1 (1949-51)
  • Rolleiflex 2.8A Type 2 (1951)
  • Rolleiflex 2.8B (1952-53)
  • Rolleiflex 2.8C (1952-55)
  • Rolleiflex 2.8D (1955-56)
  • Rolleiflex 2.8E (1956-59)
  • Rolleiflex 2.8E 2 (1959-60)
  • Rolleiflex 2.8E 3 (1962-65)
  • Rolleiflex 2.8F (1960-81)
  • Rolleiflex 2.8F 2/3 (1966-76)
  • Rolleiflex 2.8F 4 (1976-80)
  • Rolleiflex 2.8F Aurum (1982-84)
  • Rolleiflex 2.8F Platin (1984-90)
  • Rolleiflex 2.8GX (1987-2002)
  • Rolleiflex 2.8GX Edition 1929-1989 (1989-91)
  • Rolleiflex 2.8GX Helmut Newton Edition (1992-93)
  • Rolleiflex 2.8FX (2002-current)

Rolleiflex Baby

  • prewar Baby Rolleiflex:
    • Rolleiflex Baby 4×4 1931 (1931-32)
    • Rolleiflex Baby 4×4 1933 (1933-34)
    • Rolleiflex Baby 4×4 1934/8 (1934-38)
    • Rolleiflex Baby 4×4 1938 Sport (1938-43)
  • postwar Baby Rolleiflex:
    • Rolleiflex Baby 4×4 1957 Grey (1957-63)
    • Rolleiflex Baby 4×4 1963 Black (1963-68)

Tele Rolleiflex

Rollei Magic

  • Rollei Magic I (1960-62)
  • Rollei Magic II (1962-68)

Wide-Angle Rolleiflex

  • Wide-Angle Rolleiflex (1961-67)
  • Rolleiflex 4.0 FW (2002-current)


Links

In English: