Difference between revisions of "National and Ugein"

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== Bibliography ==
 
== Bibliography ==
 
* {{Showa10}} Items 158–63, 286–7.
 
* {{Showa10}} Items 158–63, 286–7.
 +
* {{Kakaku1141}} Type 3, sections 6B and 7B.
 +
* {{Inquiry1943}} Items 84–5.
 +
* {{Kakaku1940}} Type 3, sections 4B, 5B, 6B and 7B; type 4, sections 3, 4, 5B and 6B.
 
* {{McKeown12}} P. 261.
 
* {{McKeown12}} P. 261.
 +
* {{Zukan}} Items 1210–1 and 1257.
  
 
== Links ==
 
== Links ==

Revision as of 22:59, 8 June 2007

Japanese Semi (4.5×6)
Prewar and wartime models (edit)
folding
Semi Ace | Semi Adler | Adler III | Adler A | Adler B | Adler C | Semi Ako | Ami | Bakyna | Semi Chrome | Semi Clover | Collex | Semi Condor | Semi Dymos | Semi Elega | Semi First | Auto Semi First | Baby Semi First | Gaica | Semi Gelto | Semi Germa | Hansa Semi Rollette | Heil | Hokoku | Hope | Kadera | Kankyu | Kelly | Kiko Semi | Semi Kinka | Semi Konter | Semi Kreis | Semi Kulax | Semi Lead | Semi Leotax | Semi Lester | Loyal | Semi Lucky | Semi Lyra | Semi Makinet | Semi Metax | Semi Minolta (I) and II | Auto Semi Minolta | Semi Miss | Mizuho | Semi Mulber | Semi National | New Gold | Okaco | Oko Semi | Semi Olympus | Semi Olympus II | Semi Osamo | Semi Pearl | Primo | Semi Prince | Semi Proud | Semi Prux | Roavic | Semi Rody | Rondex | Semi Rosen | Semi Rotte | Seica | Seves | Semi Shiks | Sintax | Semi Sixteenth | Semi Solon | Semi Sport | Star Semi | Semi-Tex | Tsubasa Kiko Three | Tsubasa Nettar | Tsubasa Super Semi | Ugein | Vester-Lette | Victor | Waltax | Wester | Zeitax
collapsible
Semi Kinsi | Lord | Lyrax | Nippon | New Olympic | Semi Olympic | Semi Renky | Auto Victor | Well Super
stereo
Sun Stereo
unknown
Semi Elka | Semi Keef | Napoleon
Postwar models ->
Japanese Six (6×6)
Prewar and wartime models (edit)
folding
Adler Six | Bonny Six | Clover-Six | Condor Six | First Six | Gelto Six | Gotex | Green | Lyra Six | Super Makinet Six | Mamiya Six | Miyako Six | Mulber Six | Mulix | National Six | Neure Six | Oko Six | Olympus Six | Pilot Six | Romax | Ugein | Vester-Six | Victor Six | Weha Six
collapsible
Ehira Chrome Six | Minolta Six | Shinko Super | Weha Chrome Six
unknown
Freude Six | Heart Camera | Konter Six | Tsubasa Six
Postwar models (edit)
folding
Aires Viceroy | Angel Six | Aram Six | Astoria Super Six | Atom Six | Balm Six | Baron | Beauty Six (1950) | Beauty Six (1953) | Calm Six | Carl Six | Centre Six | Crown | Crystar Six | Daido Six | Dorima Six | Doris Six | Ehira Six | Elbow Six | First Six | Flora Six | Fodor Six | Frank Six | Fujica Six | Super Fujica Six | Futami Six | Gotex | Grace Six | Kohken Chrome Six | Kyowa Six | Liner Six | Lyra Six | Mamiya Six | Middl Six | Mihama Six | Mine Six | Minon Six | Mizuho Six | Motoka Six | Mount Six | Muse Six | Super Naiku | Ofuna Six | Olympus Six | Olympus Chrome Six | Orion Six | Oscar Six | Pigeon Six | Planet | Please Six | Pluto Six | Poppy Six | Press Van | Press Van-120 | Proud Chrome Six | Proud Super Six | Renown Six | Ricoh Six | Ruvikon | Ruvinal | Sanon Six | Silver Six | Sisley 1 | Sisley 2 & 3 | Sister Six | Tenar Six | Toho Six | Tomic | Toyoca Six | Ugein Six | Wagen Six | Walcon 6 | Welmy Six | Wester | Windsor Six
rigid or collapsible
Dia Six | Ehira Chrome Six | Enon Six | Flora | Flashline | Fujipet | Harmony | Mikono-6 | Orion | Ponix | Rich-Ray-6 | Shumy | Weha Chrome Six

See also the National (4×6.5) folder.

The Semi National (セミ・ナショナル) and National Six (ナショナル・シックス) are Japanese folders, distributed by Eikōdō from late 1937 to 1940, continued as the Ugein (ユーゲン) from 1941 to 1944.[1] The maker of the National and Ugein is not clearly known. An early advertisement mentions National Camera Works (see below), a company that is otherwise unknown, and a late one mentions Tōa Kōki (see below).[2] The same camera was revived after the war as the Ruvinal, said to be made by Shōei Kōgaku or Shōei Sangyō.

All models share the same horizontal body, with folding struts inspired from the Balda folders and a back hinged to the left.

Semi National and National Six

The original National models have a folding optical finder centred above the top plate and a heavy advance key at the right end. They have no body release and the front leather is embossed National.

The Semi National appeared first. It was advertised as a new model in the December 1937 issue of Asahi Camera.[3] The advertisement mentions National Camera Works (ナショナルカメラウオークス), perhaps the maker's name, and offers the following variants, all equipped with a Rulex shutter by Neumann & Heilemann:

  • Rulex D (25, 50, 100, T, B), f/4.5 lens (¥50);
  • Rulex B (5–200, T, B), f/4.5 lens (¥60);
  • Rulex B (5–200, T, B), f/3.5 lens (¥70);
  • Rulex A (1–200, T, B), f/4.5 lens (¥65);
  • Rulex A (1–200, T, B), f/3.5 lens (¥78).

The advertisement shows the company name National Camera Works.

The National Six apparently only differs by the picture format, finder size and presumably red window position. Both models are offered for the exact same price. In an advertisement dated June 1938[4], the variants with f/3.5 lens and Rulex shutter have disappeared and the two following are offered instead:

  • Super Rapid shutter (1–300, T, B, self-timer), f/4.5 lens (¥70);
  • Super Rapid shutter (1–300, T, B, self-timer), f/3.5 lens (¥80).

The fitting of a body release in offered as an option for extra ¥7.

Semi National II and National Six II

The Semi National II and National Six II have a body release and seem to have an advance knob instead of the key. In an advertisement dated June 1939[5], both models are offered for the same price in the following variants:

  • Rulex B shutter (5–200, T, B), National f/4.5 lens (¥70);
  • Rulex A shutter (1–200, T, B), National f/4.5 lens (¥75);
  • Super Rapid shutter (1–250, T, B, self-timer), National f/4.5 lens (¥85);
  • Rulex A shutter (1–200, T, B), National f/3.5 lens (¥90).

Notice that the most expensive lens was not associated with the most expensive shutter, and that the top speed of the Super Rapid was lower than the year before. It is said that the National lens has 80mm focal length.[6]

A U.L.L. lens was available as an option for extra ¥5. The advertising picture shows a National Six II with a Super Rapid shutter: the shutter plate is marked TOYO NEW at the top and SUPER RAPID at the bottom.

An advertisement published in the October 1939 of Asahi Camera is visible in this page of the Heiki Seikatsu website (third advertisement from the top). The list of variants and prices seem to be the same as described above.

Semi National III and National Six III

The Semi National III and National Six III have a short top housing containing a direct vision finder on the left and a brilliant finder on the right, with an accessory shoe between both. The layout was meant to look like a rangefinder camera from a distance.

In an advertisement dated February 1940[7], both models are offered for the same price in the following variants:

  • Rulex B shutter (5–200, T, B), National f/4.5 lens (¥85);
  • Rulex A shutter (1–250, T, B), National f/4.5 lens (¥89);
  • Rulex A shutter (1–250, T, B), National f/3.5 lens (¥105);
  • Compur shutter (1–300, T, B), National f/3.5 lens (¥170).

A U.L.L. lens was available as an option for extra ¥5.

An example of the Semi National III has been observed with a Sport shutter giving 1–300, B, T speeds and a shutter plate marked SPORT at the bottom.[8]

Ugein III (dual finder)

The National model III was renamed Ugein III (ユゲーンⅢ型), with no further change. There are still two versions, one for 4.5×6 pictures and the other for 6×6, but their name is the same.

In an advertisement dated March 1941[9], the camera is offered as Ugein III even if the advertising picture still shows a camera with a National marking. The following variants are listed:

  • Rulex B shutter (5–250), f/4.5 lens (4.5×6: ¥85, 6×6: ¥79);
  • Rulex B shutter (5–250), f/3.5 lens (4.5×6: ¥95, 6×6: ¥94);
  • Rulex A shutter (1–300), f/4.5 lens (4.5×6 and 6×6: ¥100);
  • Rulex A shutter (1–300), f/3.5 lens (4.5×6: ¥105, 6×6: ¥112);
  • Koho shutter by Takachiho (1–150, self-timer), f/4.5 lens (4.5×6: ¥110, 6×6: ¥128);
  • Koho shutter (1–150, self-timer), f/3.5 lens (4.5×6: ¥130, 6×6: ¥140).

It is said that the lens name is Ugein.[10] The difference in price between the 4.5×6 and 6×6 versions inexplicably differs from one variant to the other, to the point that typos are suspected.

In an advertisement dated February 1942[11], the shutter names are not mentioned but they can be guessed as follows:

  • Rulex A shutter (1–300), f/4.5 lens (4.5×6 and 6×6: ¥118);
  • Rulex A shutter (1–300), f/3.5 lens (4.5×6: ¥124, 6×6: ¥133);
  • Koho shutter (1–200, self-timer), f/4.5 lens (4.5×6: ¥130, 6×6: ¥151);
  • Koho shutter (1–200, self-timer), f/3.5 lens (4.5×6: ¥154, 6×6: ¥166).

The advertising picture shows an example equipped with the Koho shutter. The speed rim is engraved KOHO and the shutter plate is marked OLYMPUS-TOKYO-N at the top and UGEIN at the bottom.

Ugein (single finder)

The Ugein III was replaced in 1943[12] by a new model, with a single finder centred in a top housing covering all the top plate. The brilliant finder was dispensed with, and the advance knob has moved to the left end of the top housing.

Some sources say that this model only exists in dual-format, taking both 4.5×6 and 6×6 exposures.[13] In an advertisement dated October 1943[14], this model is simply called Ugein (ユゲーン) and is offered in dual-format only with an f/3.5 lens for ¥191.56. The shutter is equipped with a self-timer, but its name and speeds are not given. The advertisement mentions the name of the maker as "Tōkyō Tōa Kōki-sha" (東京東亜光機社), perhaps the Tōa Kōki company based in Tokyo that made the Gelto.

Other sources say that there was a single format 6×6 model called "Ugein Model III" and a dual-format model called "Ugein Model IIIA", but this is a little dubious.[15] In the only picture showing the top plate that could be observed[16], there is a UGEIN MOD. III engraving together with the serial number. This camera also has a Ugein nameplate screwed to the front of the body. This particular example has no visible device in the viewfinder to take 4.5×6 pictures, but it is reported as having an internal mask. Only a picture from the back could tell for sure if it is single format or dual format.

It seems that the lenses and shutters were all provided by Nishida. The known combinations are the following:

  • Wester Anastigmat 75mm f/3.5 lens, NKK Wester shutter;[17]
  • Wester Anastigmat 75mm f/3.5 lens, Northter shutter (T, B, 1–200);[18]
  • Wester II shutter (T, B, 1–200).[19]

After the war

The dual-format Ugein appeared again in 1950 or 1951 in a minimally altered version called Ruvinal.

Before that, a camera called Ugein Six (ユーゲンシックス) was featured in a column of the December 1949 issue of the Japanese magazine Camera Art, with a Wester 75/3.5 lens and T, B, 1–200 speeds.[20] It is probably the name that was first proposed for the Ruvinal.

Notes

  1. Dates: Kokusan kamera no rekishi, pp. 338 and 342.
  2. This page of the Ichirizuka website mentions the Ugein as a product of Kigawa, but it says the same thing of the Geltoflex and this is probably a mistake.
  3. Advertisement reproduced in Kokusan kamera no rekishi, p. 81.
  4. Advertisement published in Asahi Camera, reproduced in Kokusan kamera no rekishi, p. 81.
  5. Advertisement published in Asahi Camera, reproduced in Kokusan kamera no rekishi, p. 81.
  6. 80mm focal length: Kokusan kamera no rekishi, p. 338, and McKeown, p. 261.
  7. Advertisement published in Asahi Camera, reproduced in Kokusan kamera no rekishi, p. 81.
  8. Example pictured in McKeown, p. 261.
  9. Advertisement published in Shashin Bunka, reproduced in Kokusan kamera no rekishi, p. 99.
  10. Kokusan kamera no rekishi, p. 342.
  11. Advertisement published in Shashin Bunka, reproduced in Kokusan kamera no rekishi, p. 100.
  12. Date: Kokusan kamera no rekishi, p. 342.
  13. Kokusan kamera no rekishi, p. 342.
  14. Advertisement published in Shashin Bunka, reproduced in Kokusan kamera no rekishi, p. 100.
  15. McKeown, p. 261.
  16. Example pictured for sale at a dealer.
  17. Example pictured in McKeown, p. 261.
  18. Example observed for sale at a dealer.
  19. Kokusan kamera no rekishi, p. 342, says that such a combination appears in the book Kamera Zukan by Sugiyama and Naoi.
  20. Kokusan kamera no rekishi, p. 371.

Bibliography

  • Asahi Camera (アサヒカメラ) editorial staff. Shōwa 10–40nen kōkoku ni miru kokusan kamera no rekishi (昭和10–40年広告にみる国産カメラの歴史, Japanese camera history as seen in advertisements, 1935–1965). Tokyo: Asahi Shinbunsha, 1994. ISBN 4-02-330312-7. Items 158–63, 286–7.
  • "Kamera no kōtei kakaku kanpō happyō" (カメラの公定価格官報発表, Official announcement of the set prices of the cameras), November 1941. Extract of a table listing Japanese camera production and setting the retail prices, reproduced in "Bebī Semi Fāsuto 'Kore ha bebī wo nanotta semi-ki da'" (ベビーセミファースト"これはベビーを名乗ったセミ機だ", Baby Semi First, 'this is a Semi camera called Baby'), an article by Furukawa Yasuo (古川保男) in Camera Collectors' News no. 277 (July 2000). Nishinomiya: Camera Collectors News-sha. P. 27. Type 3, sections 6B and 7B.
  • "Kokusan shashinki no genjōchōsa" (国産写真機ノ現状調査, Inquiry into Japanese cameras), listing Japanese camera production as of April 1943. Reproduced in Supuringu kamera de ikou: Zen 69 kishu no shōkai to tsukaikata (スプリングカメラでいこう: 全69機種の紹介と使い方, Let's try spring cameras: Presentation and use of 69 machines). Tokyo: Shashinkogyo Syuppan-sha, 2004. ISBN 4-87956-072-3. Pp.180–7. Items 84–5.
  • Template:Kakaku1940 Type 3, sections 4B, 5B, 6B and 7B; type 4, sections 3, 4, 5B and 6B.
  • McKeown, James M. and Joan C. McKeown's Price Guide to Antique and Classic Cameras, 12th Edition, 2005-2006. USA, Centennial Photo Service, 2004. ISBN 0-931838-40-1 (hardcover). ISBN 0-931838-41-X (softcover). P. 261.
  • Sugiyama, Kōichi (杉山浩一); Naoi, Hiroaki (直井浩明); Bullock, John R. The Collector's Guide to Japanese Cameras. 国産カメラ図鑑 (Kokusan kamera zukan). Tokyo: Asahi Sonorama, 1985. ISBN 4-257-03187-5. Items 1210–1 and 1257.

Links