Japanese 4.5×6 folders

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Japanese Semi (4.5×6)
Prewar and wartime models (edit)
folding
Semi Ace | Semi Adler | Adler III | Adler A | Adler B | Adler C | Semi Ako | Ami | Bakyna | Semi Chrome | Semi Clover | Collex | Semi Condor | Semi Dymos | Semi Elega | Semi First | Auto Semi First | Baby Semi First | Gaica | Semi Gelto | Semi Germa | Hansa Semi Rollette | Heil | Hokoku | Hope | Kadera | Kankyu | Kelly | Kiko Semi | Semi Kinka | Semi Konter | Semi Kreis | Semi Kulax | Semi Lead | Semi Leotax | Semi Lester | Loyal | Semi Lucky | Semi Lyra | Semi Makinet | Semi Metax | Semi Minolta (I) and II | Auto Semi Minolta | Semi Miss | Mizuho | Semi Mulber | Semi National | New Gold | Okaco | Oko Semi | Semi Olympus | Semi Olympus II | Semi Osamo | Semi Pearl | Primo | Semi Prince | Semi Proud | Semi Prux | Roavic | Semi Rody | Rondex | Semi Rosen | Semi Rotte | Seica | Seves | Semi Shiks | Sintax | Semi Sixteenth | Semi Solon | Semi Sport | Star Semi | Semi-Tex | Tsubasa Kiko Three | Tsubasa Nettar | Tsubasa Super Semi | Ugein | Vester-Lette | Victor | Waltax | Wester | Zeitax
collapsible
Semi Kinsi | Lord | Lyrax | Nippon | New Olympic | Semi Olympic | Semi Renky | Auto Victor | Well Super
stereo
Sun Stereo
unknown
Semi Elka | Semi Keef | Napoleon
Postwar models (edit)
folding
Apollo | Semi Blond | Semi Crystar | Daido Semi | Doris | Semi Frank | Semi Gelto | Semi Golder | Karoron | Karoron RF | Kely | Kiko Semi | Korin | Kuri | BB Kuri | Lark | Semi Leotax | Semi Leotax DL / R | Lo Ruby | Semi Lord | Luck | Semi Lyra | Semi Masmy | Middl 120 | Semi Mihama | Mikado | Million Proud | Semi Minolta III | Semi Minolta P | Semi Oscon | Semi Pearl | Pearl I–III | Pearl IV | Petri | Petri RF | Petri Super | Pioneer | Semi Proud | Semi Rocket | Rocky Semi | Rosen | Ruby | Shinkoh Rabbit | Semi Sport | Tsubasa Semi | Union Semi | Union Model U | Walcon Semi | Waltax | Semi Wester | Zenobia
rigid or collapsible
Semi Dak | Semi Hobix | Super Semi Plum | Rocket Camera | Tomy
Japanese Six (6×6) (edit)
Prewar and wartime models (edit)
folding
Adler Six | Bonny Six | Clover-Six | Condor Six | First Six | Gelto Six | Gotex | Green | Lyra Six | Super Makinet Six | Mamiya Six | Miyako Six | Mulber Six | Mulix | National Six | Neure Six | Oko Six | Olympus Six | Pilot Six | Romax | Ugein | Vester-Six | Victor Six | Weha Six
collapsible
Ehira Chrome Six | Minolta Six | Shinko Super | Weha Chrome Six
unknown
Freude Six | Heart Camera | Konter Six | Tsubasa Six
Postwar models (edit)
folding
Aires Viceroy | Angel Six | Aram Six | Astoria Super Six | Atom Six | Balm Six | Baron | Beauty Six (1950) | Beauty Six (1953) | Calm Six | Carl Six | Centre Six | Crown | Crystar Six | Daido Six | Dorima Six | Doris Six | Ehira Six | Elbow Six | First Six | Flora Six | Fodor Six | Frank Six | Fujica Six | Super Fujica Six | Futami Six | Gotex | Grace Six | Kohken Chrome Six | Kyowa Six | Liner Six | Lyra Six | Mamiya Six | Middl Six | Mihama Six | Mine Six | Minon Six | Mizuho Six | Motoka Six | Mount Six | Muse Six | Super Naiku | Ofuna Six | Olympus Six | Olympus Chrome Six | Orion Six | Oscar Six | Pigeon Six | Planet | Please Six | Pluto Six | Poppy Six | Press Van | Press Van-120 | Proud Chrome Six | Proud Super Six | Renown Six | Ricoh Six | Ruvikon | Ruvinal | Sanon Six | Silver Six | Sisley 1 | Sisley 2 & 3 | Sister Six | Tenar Six | Toho Six | Tomic | Toyoca Six | Ugein Six | Wagen Six | Walcon 6 | Welmy Six | Wester | Windsor Six
rigid or collapsible
Dia Six | Ehira Chrome Six | Enon Six | Flora | Flashline | Fujipet | Harmony | Mikono-6 | Orion | Ponix | Rich-Ray-6 | Shumy | Weha Chrome Six
Japanese older 6×9 ->

Between the 1930s and the 1950s, a good number of Japanese companies, some of them very small, produced a quantity of 4.5×6 folders.

There are many models and variants, but most of them are copies either of the Baldax, like the Semi Olympus (the first camera to wear the Olympus name), or of the Ikonta or Nettar, like the Semi Minolta (one of the first cameras to wear the Minolta name). The inspiration sometimes comes from other German cameras as well. The 1937 Auto Semi Minolta has a body copied from the Weltur 4.5×6 and an exposure counter copied from the Plaubel rollfilm backs and Roll-Op II camera. The rangefinder of the Super Semi Proud is also inspired by the Roll-Op II.

As a consequence, most models have a vertical folding bed, while most of the Japanese 6x6 folders have a horizontal folding bed after the Ikonta 6×6. The exceptions to this rule are generally original designs, not copied from a Western camera, like the Semi Olympus II, the Primo or the Tsubasa Super Semi. The Apollo II has an horizontal style body too, but it is a copy of the Duo Six-20 Series II.

After the war, many models switched from a folding optical finder to a viewfinder enclosed in a top housing, giving a more modern look. The Baldax copies became rare and most models now had a body styled after the Ikonta. Some makers, like Daido or Mihama, made both 4.5×6 and 6×6 models, but the 4.5×6 folders tended to be abandoned first. In general they were considered to be cheaper models, and very few received the advanced features of the last Japanese folders, like the coupled rangefinder or automatic film advance. An exception was the Pearl III by Konishiroku; and its successor the Pearl IV had one of the most advanced designs for any format of folder.

By about 1960, all the Japanese 4.5×6 folders had disappeared. In the 1970s, Fuji unexpectedly launched a 4.5×6 folder again, the rangefinder Fujica GS645. It was the last 4.5×6 folder produced in any country. The later autofocus Fuji GA645 and the rangefinder Bronica RF645 descend in some way from the early 4.5×6 folders, but they no longer have bellows.