Difference between revisions of "Seica and Andes Four"

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(found a Riken advert with the Seica (in kanji))
(General description: probably no auto-stop)
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== General description ==
 
== General description ==
The Seica and Andes Four have a metal body with round edges and a telescopic tube supporting the lens and shutter assembly. The tubular optical finder is offset to the left and there is an accessory shoe at the left end of the top plate. The right half of the top plate is covered by a long housing, supporting the advance knob at the right end and containing an exposure counter. It is unclear if there was automatic stop advance or if the film advance was controlled by the exposure counter alone (some control device was necessary because the rollfilm paper backing was not marked for 4&times;4cm pictures at the time).<REF> It is said on p.&nbsp;21 of ''Kurashikku Kamera Senka'' no.&nbsp;14 that the Seica has no auto-stop advance but the device was perhaps broken on the particular example presented. </REF> It is said that the exposure counter is reset by a lever placed behind the housing.<REF> ''Kurashikku Kamera Senka'' no.&nbsp;14, p.&nbsp;21. </REF> The back is fixed and the film is loaded through the removable bottom plate.
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The Seica and Andes Four have a metal body with round edges and a telescopic tube supporting the lens and shutter assembly. The tubular optical finder is offset to the left and there is an accessory shoe at the left end of the top plate. The right half of the top plate is covered by a long housing, supporting the advance knob at the right end and containing an exposure counter. It is said that there is no automatic stop device and that the film advance is controlled by the exposure counter alone (some control device was necessary because the rollfilm paper backing was not marked for 4&times;4cm pictures at the time).<REF> No auto-stop advance: ''Kurashikku Kamera Senka'' no.&nbsp;14, p.&nbsp;21 and {{Kokusan}}, p.&nbsp;337 (item 132). </REF> It is said that the exposure counter is reset by a lever placed behind the housing.<REF> ''Kurashikku Kamera Senka'' no.&nbsp;14, p.&nbsp;21. </REF> The back is fixed and the film is loaded through the removable bottom plate.
  
 
== The Seica ==
 
== The Seica ==

Revision as of 21:23, 29 January 2007

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The Seica (セイカ or 精華) and Andes Four (アンデスフォアー) are Japanese cameras taking 4×4cm pictures on 127 film. They are nearly identical except for the name and they were probably name variants of each other. The Andes Four was distributed by Misuzu Shōkai and the Seica by Kuwata Shōkai. They were certainly made by the same company. Some sources attribute the two cameras to a company called "Kondo Seikō" (近藤精工), while others attribute the Seica to Riken Kōgaku Kōgyō.[1] It is said that the Cordlef 4×4 TLR is based on the body of the Seica and Andes Four.

See also the Seica (6×6) rangefinder folding camera.

General description

The Seica and Andes Four have a metal body with round edges and a telescopic tube supporting the lens and shutter assembly. The tubular optical finder is offset to the left and there is an accessory shoe at the left end of the top plate. The right half of the top plate is covered by a long housing, supporting the advance knob at the right end and containing an exposure counter. It is said that there is no automatic stop device and that the film advance is controlled by the exposure counter alone (some control device was necessary because the rollfilm paper backing was not marked for 4×4cm pictures at the time).[2] It is said that the exposure counter is reset by a lever placed behind the housing.[3] The back is fixed and the film is loaded through the removable bottom plate.

The Seica

The Seica was featured in the new products column of the January 1939 issue of Asahi Camera.[4] It seems that it was attributed to Riken Kōgaku Kōgyō, but it is not known if it was the maker or the distributor. The camera name was written 精華, meaning "bloom", "flower" or "elite". (During the war period, Riken used "patriotic" names, as well as names reminding Japan's alliance with Germany.) The lens was announced as a Seica 50/4.5 and the shutter as giving T, B, 5–250 speeds.[5] It was advertised by Riken Kōgaku Kōgyō in February 1939 for ¥70, the name being written 精華 again.[6]

In October 1940 and February 1941, the Seica was advertised by the distributor Kuwata Shōkai, with no mention of Riken.[7] The distribution of the camera was perhaps transfered by Riken to Kuwata, while it was produced by another company, perhaps Kondo Seikō. In these advertisements, the name was written セイカ in katakana and the camera was offered in two versions, both with an f/4.5 lens whose name was not given:

  • Seica I: T, B, 25–250 speeds (¥60 in 1941);
  • Seica II: T, B, 5–250 speeds (¥70 in 1941).

The pictures of two surviving examples have been observed.[8] The exposure counter housing is engraved Seica. Both examples have a Perfect shutter by Neumann & Heilemann, giving 25, 50, 100, 250, B, T speeds. The shutter plate has a Neumann & Heilemann nameplate screwed to the top, is marked PERFECT at the bottom and has a NH logo on the right. Another crescent-shape metal plate with the aperture scale is screwed to the bottom. Both examples have a front-cell focusing Helios Anastigmat f/4.5 lens, and the focal length is 5cm on at least one of them.[9]

The Andes Four

The Andes Four was featured in the March 1941 issue of Asahi Camera, where it was attributed to Misuzu Shōkai, certainly the distributor, and called Andes Four II.[10] There is no record of an Andes Four I. It has an Andes Anastigmat 50/3.5 lens and a Verio shutter giving T, B, 150, 100, 50, 25 speeds. The shutter plate has a VERIO marking at the top and the aperture scale at the bottom. The only surviving example observed so far is pictured in Sugiyama.[11] An ANDES nameplate is attached above the exposure counter housing.

Notes

  1. Kondo Seikō: Sugiyama, items 3003 and 3051; McKeown, p. 537. Riken Kōgaku Kōgyō: Kokusan kamera no rekishi, p. 337;
  2. No auto-stop advance: Kurashikku Kamera Senka no. 14, p. 21 and Kokusan kamera no rekishi, p. 337 (item 132).
  3. Kurashikku Kamera Senka no. 14, p. 21.
  4. Kokusan kamera no rekishi, p. 337.
  5. Kokusan kamera no rekishi, p. 337.
  6. Advertisement for the Riken camera range published in the 26 February 1939 issue of Sunday Mainichi, reproduced in the Gochamaze website.
  7. Advertisements published in Asahi Camera, reproduced in Kokusan kamera no rekishi: October 1940 on p. 95 and February 1941 on p. 77.
  8. Example pictured in McKeown, p. 537, and example pictured in Kurashikku Kamera Senka no. 14, p. 21. A small picture of the latter is also reproduced in this page of the Ricoh official website.
  9. The mention of a Seica 60/3.5 lens on p. 21 of Kurashikku Kamera Senka no. 14 and in http://www.ricoh.co.jp/camera/cameralist/seica.html this page of the Ricoh official website] seems to be a mistake.
  10. Kokusan kamera no rekishi, p. 334.
  11. Sugiyama, item 3003. The same picture is reproduced in small on p. 334 of Kokusan kamera no rekishi.

Bibliography

Links

In Japanese:


Asahi Bussan and Riken prewar and wartime cameras (edit)
rigid or collapsible
Vest Adler | Gokoku | Semi Kinsi | Letix | Olympic | New Olympic | Regal Olympic | Semi Olympic | Super Olympic | Vest Olympic | Riken No.1 | Ricohl | Roico | Seica | Zessan
folders pseudo TLR TLR
Semi Adler | Adler III | Adler A | Adler B | Adler C | Adler Four | Adler Six | Gaica | Heil | Kinsi Chukon Ref Ricohflex | Ricohflex B