Difference between revisions of "Minoltaflex (I)"

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The four-fold viewing hood is much inspired by that of the [[Ikoflex|Ikoflex II]]. It contains a large magnifying lens hinged to the front. The middle part of the hood has the shape of a truncated pyramid and can be pushed back, revealing a built-in sportsfinder. The silver nameplate is simply marked ''Minolta''; two different variations are known to exist, with a straight or slanted typeface. The center of the viewing hood has a logo, reading ''MTS'' on the early cameras and ''TIYOKO'' on the late ones.
 
The four-fold viewing hood is much inspired by that of the [[Ikoflex|Ikoflex II]]. It contains a large magnifying lens hinged to the front. The middle part of the hood has the shape of a truncated pyramid and can be pushed back, revealing a built-in sportsfinder. The silver nameplate is simply marked ''Minolta''; two different variations are known to exist, with a straight or slanted typeface. The center of the viewing hood has a logo, reading ''MTS'' on the early cameras and ''TIYOKO'' on the late ones.
  
The camera has a Promar 75mm f/3.5 four-element taking lens, made by Asahi Kōgaku (predecessor of [[Pentax]]), the same lens as on the [[Auto Semi Minolta]]; the marking on the rim is ''Promar Anastigmat Nippon'' or ''Promar Nippon''. The viewing lens is a 75mm f/3.2, marked ''Minolta Anastigmat Nippon'' or ''Minolta Nippon''. The shutter is either an imported [[Compur]] (T, B, 1–300) or a [[Crown shutter|Crown II]] (T, B, 1–300 or B, 1–300) made by [[Minolta|Chiyoda]] itself. The main release lever is on the photographer's right, and is interlocked with the advance mechanism to provide double exposure prevention. The Crown II shutter has a cocking lever at the bottom, which also acts as a secondary release lever. The name ''CROWNⅡ–TIYOKO'' is inscribed on a small crescent-shaped nameplate screwed to the shutter plate, on the left of the lens (as seen from the front); the aperture scale is on the other side.
+
The camera has a Promar 75mm f/3.5 four-element taking lens, made by Asahi Kōgaku (predecessor of [[Pentax]]), the same lens as on the [[Auto Semi Minolta]]; the marking on the rim is ''Promar Anastigmat Nippon'' or ''Promar Nippon''. The viewing lens is a 75mm f/3.2, marked ''Minolta Anastigmat Nippon'' or ''Minolta Nippon''. Both lenses take 28.5mm diameter push-on accessories.
 +
 
 +
The shutter is either an imported [[Compur]] (T, B, 1–300) or a [[Crown shutter|Crown II]] (T, B, 1–300 or B, 1–300) made by [[Minolta|Chiyoda]] itself. The main release lever is on the photographer's right, and is interlocked with the advance mechanism to provide double exposure prevention. The Crown II shutter has a cocking lever at the bottom, which also acts as a secondary release lever. The name ''CROWNⅡ–TIYOKO'' is inscribed on a small crescent-shaped nameplate screwed to the shutter plate, on the left of the lens (as seen from the front); the aperture scale is on the other side.
  
 
== Introduction and commercial life ==
 
== Introduction and commercial life ==

Revision as of 21:35, 20 July 2008

Japanese 6×6 TLR
Prewar and wartime models (edit)
6×6cm Elmoflex | First Reflex | Kiko Flex | Lyra Flex | Minoltaflex | Minoltaflex Automat | Minoltaflex military prototype | Nōman Flex | Ostenflex | Prince Flex | Ricohflex (original) | Ricohflex B | Rollekonter | Roll-o-Frex | Rorter Ref | Rorterflex | Sakura-flex | Simpuflex | Starflex | Taroflex | Valflex | Yokusanflex
Postwar models and other TLR ->
Pseudo TLR and medium format SLR ->
Other Japanese 6×6, 4.5×6, 3×4 and 4×4 ->

See also the Minoltaflex Automat, the Minoltaflex wartime prototype and the postwar Minoltaflex II and III.

The Minoltaflex[1] (ミノルタフレックス, later termed the "Minoltaflex I")[2] is a 6×6cm TLR (twin lens reflex) camera for 120 film, introduced by Chiyoda Kōgaku (predecessor of Minolta) in late 1937.

Description

The Minoltaflex is essentially a copy of the Rolleicord. The front plate is moved back and forth for focusing, driven by a knob on the photographer's right. This knob has a chrome finish with a black top, and is graduated from ∞ down to 0.8m; it runs along a black depth-of-field scale showing indications for 3.5, 8 and 16 apertures.

The film advance is semi-automatic, driven by a knob placed on the photographer's right, with the same black and chrome finish as the focus knob. The advance knob automatically stops for each exposure, and there is a small round window for a frame counter on the same side, at the top. Two buttons are placed next to the advance knob, certainly to unlock the film advance after each exposure.

The L-shaped back is hinged at the top and retained by a latch at the bottom; the serial number is inscribed inside. The two film flanges placed on the photographer's left are pulled out for film loading, and the position of the first exposure is set via a red window placed under the camera and protected by a sliding cover.

The four-fold viewing hood is much inspired by that of the Ikoflex II. It contains a large magnifying lens hinged to the front. The middle part of the hood has the shape of a truncated pyramid and can be pushed back, revealing a built-in sportsfinder. The silver nameplate is simply marked Minolta; two different variations are known to exist, with a straight or slanted typeface. The center of the viewing hood has a logo, reading MTS on the early cameras and TIYOKO on the late ones.

The camera has a Promar 75mm f/3.5 four-element taking lens, made by Asahi Kōgaku (predecessor of Pentax), the same lens as on the Auto Semi Minolta; the marking on the rim is Promar Anastigmat Nippon or Promar Nippon. The viewing lens is a 75mm f/3.2, marked Minolta Anastigmat Nippon or Minolta Nippon. Both lenses take 28.5mm diameter push-on accessories.

The shutter is either an imported Compur (T, B, 1–300) or a Crown II (T, B, 1–300 or B, 1–300) made by Chiyoda itself. The main release lever is on the photographer's right, and is interlocked with the advance mechanism to provide double exposure prevention. The Crown II shutter has a cocking lever at the bottom, which also acts as a secondary release lever. The name CROWNⅡ–TIYOKO is inscribed on a small crescent-shaped nameplate screwed to the shutter plate, on the left of the lens (as seen from the front); the aperture scale is on the other side.

Introduction and commercial life

The Minoltaflex was developed from 1936 by the Molta company (which became Chiyoda Kōgaku Seikō in September 1937); it is said that the first prototypes were completed in July 1936.[3] The camera was released in late 1937: it was featured and advertised in the December 1937 issue of Asahi Camera,[4] and it was displayed at the show organized the same month in the Tōkyō Kaikan by Chiyoda Kōgaku Seikō and Asanuma Shōkai to celebrate new commercial agreements.[5]

Early advertisements show the camera with a Compur shutter and the Minolta name in a straight typeface.[6] The earliest advertisement, in Asahi Camera December 1937, gives no price and presents the camera as "available soon" (近日発売);[7] the price of ¥245 was announced the next month in the same magazine.[8]

It is said that the version with Crown II shutter was first advertised in September 1938.[9] In the February 1940 advertisement in Asahi Camera, the pictured camera has the Crown shutter and slanted typeface, and still has the MTS logo on the viewing hood; the price is given as ¥275.[10] In the official list of set prices published in January 1941, the Minoltaflex is mentioned for ¥252, a unique price set for all the 6×6 TLR models.[11] The price was gradually raised throughout the period, and it appears as ¥295 in the October 1941 catalogue by Asanuma Shōkai reproduced here. The Minoltaflex is mentioned in the April 1943 government inquiry on Japanese camera production,[12] and the last reported advertisement is dated September 1943;[13] the production was probably stopped around that time.

Variations on actual examples

The early version with the Minolta name in straight typeface seems very rare. One example is known with the Compur shutter; its body number is 3186, and both lens numbers are in the 32xx range.[14] Another camera is known with the straight typeface and a Crown shutter, again with four-digit lens numbers.[15]

All the other cameras have the slanted typeface for the Minolta name. None of these has been observed with a Compur shutter. The import of German shutters certainly stopped in 1937, after the outbreak of war with China, and the stock of Compur shutters perhaps ran out before the switch to the newer nameplate.

The early examples with slanted typeface have a Crown shutter with a T setting, and have four-digit lens numbers (up to the 92xx range).[16]

All the other known examples have a Crown shutter with no T setting. One isolated example has taking lens no.801x1 and viewing lens no.80862; these numbers might correspond to a small batch of lenses produced immediately after the drop of the four-digit sequence.[17] After that, the numbering of the viewing lens was certainly reset at c.10000; for the taking lens, two isolated numbers are known in the 83xxx and 84xxx range, then the sequence jumped to c.89000. The bulk of the observed surviving cameras have body numbers between 8848 and 24073, taking lens numbers between 89913 and 111489, and viewing lens numbers between 10775 and 27516. The three numbering sequences were shared with the Minoltaflex Automat.

The MTS logo present on all the early examples was replaced by the TIYOKO logo around body no.17000. The lens markings were later switched from Promar Anastigmat Nippon to Promar Nippon (around taking lens no.106000) and from Minolta Anastigmat Nippon to Minolta Nippon (around viewing lens no.23000).

Production

The Minoltaflex was made in the Amagasaki (尼崎) plant (which produced the bakelite and TLR models) at a rate of about 300–350 units per month.[18]

It is difficult to give a precise estimate of the total production, because the numbering sequence was common to the Minoltaflex and Minoltaflex Automat. From the known serial numbers, it seems certain that less than 25,000 were made of these two models; for the original Minoltaflex alone, we can attempt a rough estimate of 12,000 to 15,000 units, which is consistent with the monthly rate told above.

Notes

  1. The camera is referred to in advertising as ミノルタフレックス (Minorutafurekkusu), obviously a compound of "Minolta" and "flex". The decision whether to refer to this as "Minoltaflex" or "Minolta Flex" — one word or two — is rather arbitrary.
  2. The name "Minoltaflex I" was introduced after 1945, to distinguish the camera from the postwar Minoltaflex (II), IIB and III.
  3. Fifty-year history Minolta 50-nen no ayumi, p.5.
  4. Kokusan kamera no rekishi, p.342.
  5. Tashima Gizō, interviewed by Saeki Kakugorō on p.77 of Kurashikku Kamera Senka no.12, says November 1937, but Awano, p.7 of the same magazine, specifies that the show was inaugurated on December 12, 1937.
  6. Advertisement in Asahi Camera December 1937 reproduced in Kokusan kamera no rekishi, p.98; advertisement in Asahi Camera January 1938 reproduced in Tanimura, p.15 of Camera Collectors' News no.118; advertisement in Asahi Graph March 1938 reproduced in the Gochamaze website.
  7. Advertisement reproduced in Kokusan kamera no rekishi, p.98.
  8. Advertisement reproduced in Tanimura, p.15 of Camera Collectors' News no.118.
  9. Kokusan kamera no rekishi, p.342.
  10. Advertisement reproduced in Kokusan kamera no rekishi, p.98.
  11. "Kokusan shashinki no kōtei kakaku", type 7, section 1.
  12. "Kokusan shashinki no genjōchōsa" ("Inquiry into Japanese cameras"), item 120. In this document, "Ref" is used instead of "Flex" to name the TLR models, and the name is therefore given as "Minolta Ref" (ミノルタレフ) instead of "Minoltaflex".
  13. The advertisement in Shashin Bunka September 1943 is the last one listed in Kokusan kamera no rekishi, p.342.
  14. Data reported from a private collection.
  15. Example pictured in Francesch, p.86.
  16. Example pictured in this page of Shintake Shashinkan, example pictured in the 70th anniversary Minolta poster, example pictured in Kokusan kamera no rekishi, p.13, and example observed in an online auction.
  17. Example pictured in this page at Neco's collection.
  18. Mukogawa plant: Awano, p.7 of Kurashikku Kamera Senka no.12. Monthly production: Tashima Gizō, interviewed by Saeki Kakugorō on p.78 of Kurashikku Kamera Senka no.12.

Bibliography

Links

In English:

In Japanese:


Nifca, Molta and Chiyoda prewar and wartime cameras (edit)
folding plate cameras
Nifcaklapp | Nifcasport | Sirius | Arcadia | Lomax | Eaton | Happy
folding rollfilm cameras telescopic bakelite cameras
Nifcarette | Sirius Bebe | Semi Minolta | Auto Semi Minolta Minolta Vest | Baby Minolta | Minolta Six
strut-folding cameras TLR cameras
Nifca-Dox | Minolta | Auto Minolta | Auto Press Minolta Minoltaflex | Minoltaflex Automat | Minoltaflex military prototype