Frank Six

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Japanese Semi (4.5×6)
Prewar and wartime models (edit)
folding
Semi Ace | Semi Adler | Adler III | Adler A | Adler B | Adler C | Semi Ako | Ami | Bakyna | Semi Chrome | Semi Clover | Collex | Semi Condor | Semi Dymos | Semi Elega | Semi First | Auto Semi First | Baby Semi First | Gaica | Semi Gelto | Semi Germa | Hansa Semi Rollette | Heil | Hokoku | Hope | Kadera | Kankyu | Kelly | Kiko Semi | Semi Kinka | Semi Konter | Semi Kreis | Semi Kulax | Semi Lead | Semi Leotax | Semi Lester | Loyal | Semi Lucky | Semi Lyra | Semi Makinet | Semi Metax | Semi Minolta (I) and II | Auto Semi Minolta | Semi Miss | Mizuho | Semi Mulber | Semi National | New Gold | Okaco | Oko Semi | Semi Olympus | Semi Olympus II | Semi Osamo | Semi Pearl | Primo | Semi Prince | Semi Proud | Semi Prux | Roavic | Semi Rody | Rondex | Semi Rosen | Semi Rotte | Seica | Seves | Semi Shiks | Sintax | Semi Sixteenth | Semi Solon | Semi Sport | Star Semi | Semi-Tex | Tsubasa Kiko Three | Tsubasa Nettar | Tsubasa Super Semi | Ugein | Vester-Lette | Victor | Waltax | Wester | Zeitax
collapsible
Semi Kinsi | Lord | Lyrax | Nippon | New Olympic | Semi Olympic | Semi Renky | Auto Victor | Well Super
stereo
Sun Stereo
unknown
Semi Elka | Semi Keef | Napoleon
Postwar models (edit)
folding
Apollo | Semi Blond | Semi Crystar | Daido Semi | Doris | Semi Frank | Semi Gelto | Semi Golder | Karoron | Karoron RF | Kely | Kiko Semi | Korin | Kuri | BB Kuri | Lark | Semi Leotax | Semi Leotax DL / R | Lo Ruby | Semi Lord | Luck | Semi Lyra | Semi Masmy | Middl 120 | Semi Mihama | Mikado | Million Proud | Semi Minolta III | Semi Minolta P | Semi Oscon | Semi Pearl | Pearl I–III | Pearl IV | Petri | Petri RF | Petri Super | Pioneer | Semi Proud | Semi Rocket | Rocky Semi | Rosen | Ruby | Shinkoh Rabbit | Semi Sport | Tsubasa Semi | Union Semi | Union Model U | Walcon Semi | Waltax | Semi Wester | Zenobia
rigid or collapsible
Semi Dak | Semi Hobix | Super Semi Plum | Rocket Camera | Tomy
Japanese Six (6×6) (edit)
Prewar and wartime models (edit)
folding
Adler Six | Bonny Six | Clover-Six | Condor Six | First Six | Gelto Six | Gotex | Green | Lyra Six | Super Makinet Six | Mamiya Six | Miyako Six | Mulber Six | Mulix | National Six | Neure Six | Oko Six | Olympus Six | Pilot Six | Romax | Ugein | Vester-Six | Victor Six | Weha Six
collapsible
Ehira Chrome Six | Minolta Six | Shinko Super | Weha Chrome Six
unknown
Freude Six | Heart Camera | Konter Six | Tsubasa Six
Postwar models (edit)
folding
Aires Viceroy | Angel Six | Aram Six | Astoria Super Six | Atom Six | Balm Six | Baron | Beauty Six (1950) | Beauty Six (1953) | Calm Six | Carl Six | Centre Six | Crown | Crystar Six | Daido Six | Dorima Six | Doris Six | Ehira Six | Elbow Six | First Six | Flora Six | Fodor Six | Frank Six | Fujica Six | Super Fujica Six | Futami Six | Gotex | Grace Six | Kohken Chrome Six | Kyowa Six | Liner Six | Lyra Six | Mamiya Six | Middl Six | Mihama Six | Mine Six | Minon Six | Mizuho Six | Motoka Six | Mount Six | Muse Six | Super Naiku | Ofuna Six | Olympus Six | Olympus Chrome Six | Orion Six | Oscar Six | Pigeon Six | Planet | Please Six | Pluto Six | Poppy Six | Press Van | Press Van-120 | Proud Chrome Six | Proud Super Six | Renown Six | Ricoh Six | Ruvikon | Ruvinal | Sanon Six | Silver Six | Sisley 1 | Sisley 2 & 3 | Sister Six | Tenar Six | Toho Six | Tomic | Toyoca Six | Ugein Six | Wagen Six | Walcon 6 | Welmy Six | Wester | Windsor Six
rigid or collapsible
Dia Six | Ehira Chrome Six | Enon Six | Flora | Flashline | Fujipet | Harmony | Mikono-6 | Orion | Ponix | Rich-Ray-6 | Shumy | Weha Chrome Six
Japanese older 6×9 ->

The Frank Six (フランクシックス) was a series of 6×6 folding cameras produced at the beginning of the 1950s by the Japanese company Tōsei Kōki. All had an horizontal folding bed and could take both 6×6 and 4.5×6 format pictures when using an inside mask.

The first models

The Frank Six Model I and Frank Six Model 1951 were nearly the same camera. They were roughly similar to the early models of the Olympus Chrome Six, with a tubular optical finder centered on the top plate, an advance knob at the left and an accessory shoe between both. The advance knob was quite high, with a conical base. It had a round leather patch on top on some cameras (Model I?), while it was all metal with an arrow engraved on top indicating the winding direction on other cameras (Model 1951?). There were two red windows in the back, one for each format, protected by a cover sliding under a black plate. These black plates were engraved 4.5 X 6 and 6 X 6 to indicate the picture format. Two red lines in the viewfinder delineated the 4.5×6 picture frame.

The top plate was engraved Frank six in bold handwritten style, and MODEL-I- or MODEL 1951 in square style. At both ends of the body, there was a metal plate marked Frank in handwritten style (Model I?) or FRANK in uppercase square style (Model 1951?). There was a small plate protruding behind the lens and shutter assembly, it was sometimes black with Tōsei Kōki's TK logo filled in white (Model I?), and sometimes chrome with the same logo engraved in black (Model 1951?). The logo was also engraved on the folding struts and embossed in the folding bed's leather.

The lens was a Seriter Anastigmat 75/3.5 with front cell focusing. Its minimal aperture setting was 22, and its maker is unknown. On the Model 1951, it apparently became a C.Seriter, probably because it was now coated.

The shutter had B-1-200 speeds and was marked TKS on the rim, maybe for Tōsei Kōki Shutter (or Seisakusho?). The shutter plate sometimes showed an arrow pattern all around the lens, with no other marking (Model I?) while on other cameras there was simply a thick black circle and a FRANK marking at the bottom (Model 1951?).

McKeown also pictures a very similar version, apparently with MODEL I engraved on the top plate, but with the year 1953 vertically stamped on the folding bed's leather, replacing the TK logo, and Tōsei.O.W 1953 embossed in the back leather. Tōsei.O.W is underlined, and most probably stands for Tōsei Optical Works, a translation of Tōsei Kōki Seisakusho. This model now had a Seriter Anastigmat 80/3.5 lens.

The Frank Six IV

The Frank Six IV had a top housing containing an eye level finder offset to the right and a waist level optical finder offset to the left. The accessory shoe was now at the right end of the top plate, and the shape of the advance knob was different. The rest of the camera is very similar to the Model I. The top housing was engraved Frank.six in handwritten style and MODEL-IV- in red underneath. The shutter was the same TKS with B-1-200 speeds. The lens was now a Tosei Anastigmat 80/3.5, with a red C (certainly for Coated). On the cameras observed, the plate behind the lens was black.

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