Sonnar 50mm

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Sonnar refers to a 50mm lens made by Carl Zeiss Jena from 1932 for the Contax rangefinder cameras. At the time it was introduced, the Sonnar was the fastest lens available, with a maximum aperture of f/1.5. The name Sonnar comes from Sonne = Sun.

Design history

This is a design by Ludwig Bertele, after he joined Carl Zeiss. The Sonnar design has 7 elements in 3 groups: one group with a single element and two groups of cemented triplets.[1]

The lens was first introduced in 1932 in black and nickel finish with a run of 155 [2]. The aperture ring is in the center of the lens. The lens has a diameter of 40.5mm internal and uses 42mm push-on filters. To avoid contrast problems due to diffraction, the aperture was limited to f/8. Iris has 16 blades.

The second version (1933) was slightly different optically and cosmetically, while still black and chrome it can be identified by the minimum aperture being changed to f/11. Bertele introduced slight changes in the formula and reduced the risk of diffraction. [2]

The third version (1935) also saw optical and cosmetic changes. The barrel was changed to black, nickel and chrome and the front was threaded to accept 40.5mm filters, the aperture ring was moved to the front of the lens, and two little finger grips (ears). The iris has 13 blades from this model onwards. The minimum aperture was maintained at f/11, even though some go to f/16 after optical optimization.

Later that year the fourth version appeared. It was identical to the third version, except it was finished entirely in chrome. This is the most common prewar design. With this model, coating on the lenses began to be applied in the later models.

During the war, several variations were produced with cosmetic changes due to shortages of certain materials. In 1941 a version was produced with an aluminum aperture ring, and a nickel plated barrel. In 1942 other variations were produced, the first with a black filter ring. And a second in which the entire barrel was made from aluminum. And in 1943 a chrome lens was built without the finger grips on the aperture ring, and of a design that would reappear after the war. [3]

After the war Zeiss was split between East and West Germany. The west Germany branch relaunched the lens as Zeiss-Opton around 1950. These lenses had a new optical design, and were coated (red T). The body was chrome over brass.

A black filter ring was added from 1951 and around 1952 a version with apertures that stopped to f/22 was introduced. The final type of lenses were built in 1953. They were no longer marked Zeiss-Opton as Zeiss Ikon regained the rights to use the "Carl Zeiss" brand, had no ears for the aperture ring and stopped down to f/16.

In 2006 Carl Zeiss launched a new camera with Leica M mount, and revived the lens as Carl Zeiss T* Sonnar 50 mm 1.5 ZM. This lens was a modern version of the Sonnar, with improved coating and a new optical formula, and was available in Leica and Contax mounts. It has since become a cult lens. [4][5]

Soviet Copies

After World War II, the USSR took the Zeiss plants as spoils of war and moved them to Ukraine (Kiev). The Carl Zeiss Sonnar saw new life first as ZK (Sonnar Krasnogor) and then as Jupiter-3 in Contax/Kiev, Leica/Zorki, Leica M and even M42 mount and was built until 1988. These lenses are made of aluminium and plastic.

A new version called Jupiter 3+ was issued by Lomography in 2018 and is made in the Zenit factory.[6] This new version has multicoated lenses and aluminium body in Leica M39 mount.


  1. Sonnar page by Marco Kröger M.A.
  2. 2.0 2.1 Thiele Harmut. 2010. Fabrikationsbuch Photooptik Volume 2
  3. [1] Pacific Rim Camera photographica page on the Sonnar 5cm f/1.5
  4. [2] Detailed review of the ZM Sonnar 50/1.5 at
  5. [3] The ZM Sonnar by Henry Scherer
  6. Jupiter 3+ at Lomography