Staeble

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Camera industry in Munich
Agfa | Deckel | Eder | Enna | Friedrich | Kilfitt | Leitmeyr | Linhof | Niezoldi & Krämer | Perka | Rex | Rietzschel | Rodenstock | Staeble | Steinheil


Staeble was a German company, co-founded in 1908[1] by the German scientist, physicist (optics) and mathematician Dr. Franz Staeble (*1876 †1950).[2] The company primarily made lenses for cameras, projectors and enlargers,[3] but during World War II also manufactured military optics such as gunsights. Some of the Staeble lens designs were apparently acquired by Rodenstock in 1930.[4] The Staeble production facility was based initially in Munich but by 1944 was moved to Altenstadt near Schongau am Lech (Bavaria).[5] By 1958 the Staeble-Werk was acquired by the salesman Otto Friedl and his wife, and was named Dr. Staeble, Friedl & Co. KG.[6] It was bought out by Agfa in 1969.[7]

Cameras

  • Unoplast 10x15 (~1925)
    • with Doppel-Anastigmat f/ 5.4 120 mm in Compound shutter (~1910s)[8]
    • with Doppel-Anastigmat f/ 6.3 165 mm in Compur shutter (~1920s)[9]

Lenses fitted in cameras

Staeble was an OEM who supplied lenses to a range of German manufacturers, such as Braun, Finetta, Kalos, King, Neidig, Potthof, Saraber, Wirgin, Genos, Ising, Kürbi & Niggeloh, Linden, Mozar, Pohlack und Seidel.[10] Lenses sold under its own brand name were:

Aeroplast

  • F/6.8 used on the 'Atlanta' balloon camera made by Contessa ca. 1911ref name="Vademecum" />

Choroplast

  • Series I f/3.9 available as 12, 15, 18, 21, 25, 36 and 48cm[11]
  • Series II f/4.5 available as 12, 15, 18, 21, 25, 36 and 48cm[11]
  • Series III f/6.3 available as 7.5, 10.5, 12, 13.5. 16.5, 19.5, 24, 27.5, 32 and 36cm[11]
  • Series IV f/6.3 available as 7.5, 10.5, 12, 13.5. 16.5, 19.5, 24, 27.5, 32 and 38cm[11]
  • Series IV f/6.8 available as 7.5, 10.5, 12, 13.5. 16.5, 19.5, 24, and 27.5cm[11]

Citonar

supplied to Contessa-Nettel[12]

Citoplast

supplied to Contessa-Nettel[12]

Color-Ultralit (Braun Color-Ultralit)

Extra-Rapid Aplanat

  • f/7.7 avaiable as 10.5, 13.5 16.5 and 19.5cm[11]

Hellaplast

Isoplast

Kata

Katagon

Kataplast

Kuhn's Anachromat (1928)

the original Imagon[17]

Lineogon

Lineoplast

  • f/11.5 25cm barrel lens[18]
  • f/12.5 available as 6, 9, 13, 15.5, 18, 22, 25.5, 32, 44 and 55cm[11]

Medioplast

Monoplast

  • f/7.7 available as 7.5, 11.5, 14.5, 19.5, 22, 30, 42, and 54cm[11]

Neoplast

Polyplast

Polyplast multi-lens lens set of 1912 with custom mount.[19]

Protoplast

  • f/6.8 available as 9, 12, 13.5, 16.5, 19.5, 24, 27.5, 30 and 36cm[11]

Super-Choro

Super-Ultralit (Braun Super-Ultralit)

Tachyplast

  • f/3.2 available as 15, 18.5, 26, 36 and 48cm[11]

Telon

Telexon

Teronar

supplied to Contessa-Nettel[12]

Tessaplast

supplied to Contessa-Nettel[12]

Ultralit

see also Color-Ultralit and Super-Ultralit

Ultraplast

Unoplast

an Anastigmat

Projector lenses

Halogon

Katagon

  • f/2.8 85mm
    • in Noris 500 slide projector[13]
    • in Revue 24JL slide projector[13]

Paxigon

  • f/2.8 85mm
    • in Braun Paximat 200
    • in Braun Paximat 1800 electric slide projector
    • in Braun Paximat Triumph N24
    • in Braun Paximat N 12auto slide projector[13]

Proj.-Kata

Proj.-Katagon

Proj.Trigon

Stellagon

Stellar

  • f/2.8 85mm

Super-Stellagon

  • f/2.8 85mm
    • in Braun Paximat deLuxe N24+J

Suprar

  • f/2.8 85mm

Trigon

Enlarger lenses

Katagon

Telexon – E

  • with a f/5.6 85mm lens witm M39 mount.[13]

Ultragon

Other Optics

Gun Sights

  • Staeble Diana Uniscope 2.2 x 15
    • for Diana Air Rifle[22]

Bibliography

Catalogues

  • Optisches Werk Dr. Staeble & Co. G.M.b.H Muenchen. [1912]
  • Optisches Werk Dr. Staeble & Co.: Photographische Objektive. München. Edition 1914, 64 pp.

Other

Thiele, Hartmut (2008) Staeble-Optik. Die Geschichte des Optischen Werkes, Aufstellung der gesamten Objektivfertigung von 1917 bis 1972. München: Lindemanns Fotobuchhandlung.

Links

Notes

  1. Founded on 5 May 1908 together with Ing[engieur] Alfred Neumann und Dipl[om]-Ing[engieur] Oskar Jaeger (listed as 'business manager') with a capitalisation of 120,000 Reichsmark (Photographische Korrespondenz. Photographische Gesellschaft in Wien, Deutsche Gesellschaft für Photographie vol. 45, 1908, p. 284.— Der Mechaniker vol. 16, 1909, p. 117).
  2. For a brief biography and a list of his publications, see the Wikipedia entry.
  3. It was also known as Staeble-Werk or Dr. Staeble.
  4. A History of the Imagon lens by Dr. Alfons Schultz
  5. To escape the threat of Allied bombing raids on the city.
  6. See German trademark issued on 24 Dec 1958: Wort-Bildmarke von Optisches Werk Dr. Staeble, Friedl & Co (DE732266). extended (by Agfa 24 December 1988, cancelled 17 October 2000.
  7. Der Druckspiegel, vol 24 (1969), Issue 9-12, p. 62.—On 13 June 1988 Agfa applied for the trademark STAEBLE Wortmarke von Agfa-Gevaert AG (DE1126417); trademark extinguished 1 July 2008.
  8. Norway Photomuseum
  9. Photographica Collection Dirk HR Spennemann
  10. Thiele, Hartmut (2008) Staeble-Optik. Die Geschichte des Optischen Werkes, Aufstellung der gesamten Objektivfertigung von 1917 bis 1972. München: Lindemanns Fotobuchhandlung.
  11. 11.0 11.1 11.2 11.3 11.4 11.5 11.6 11.7 11.8 11.9 Optisches Werk Dr. Staeble & Co. G.M.b.H Muenchen. 1912 Catalogue extracts at www.cameraeccentric.com
  12. 12.0 12.1 12.2 12.3 12.4 12.5 Wilkinson, M. and Glanfield, C. A lens collector's vade mecum. Version 07/05/2001. Distributed as a CD or PDF file
  13. 13.00 13.01 13.02 13.03 13.04 13.05 13.06 13.07 13.08 13.09 13.10 13.11 13.12 13.13 13.14 13.15 13.16 13.17 13.18 13.19 13.20 13.21 13.22 13.23 13.24 13.25 13.26 13.27 13.28 13.29 13.30 13.31 Seen in an eBay auction December 2012,
  14. Christies Lot 409 / Sale 4881.
  15. Breker September 2006 Lot 948
  16. 16.0 16.1 16.2 Perlux in Classic Cameras.
  17. Staeble, Franz (1928) Anachromat Kühn«, Photographische Rundschau und Mitteilungen vol. 65, pp. 189-190.—A History of the Imagon lens by Dr. Alfons Schultz.— Young, William Russell (2008) The soft-focus lens and Anglo-American pictorialism. Thesis. University of St Andrews.
  18. Westlicht 21/Lot 561
  19. Some commentators were very critical: "Occasionally, for some reason, a designer will try the effect of combining two dissimilar cemented components about a central stop. It is hard to see the virtue of such an arrangement,except perhaps as an economy measure." (Kingslake, Rudolf [1989] A history of the photographic lens. London: Academic Press, p. 102)
  20. via flickr
  21. Diaprojektor "Paximat" in Industrie- und Filmmuseum Wolfen
  22. Various on-line auctions for guns