Difference between revisions of "Semi Mihama"

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The '''Semi Mihama''' is a folding camera for 6×4.5 on 120 film, produced by [[Mihama]] (or Suruga) during the 1950s. There were at least two models, of which one had variations: all control film advance via a red window on the back, and all have a "Mihama Anastigmat" 75mm f/3.5 lens. (Mihama does not seem to have been a lens maker, and "Mihama" lenses can be presumed to have been a mere matter of branding.) All had a vertical style folding body, and none had a rangefinder.
 
The '''Semi Mihama''' is a folding camera for 6×4.5 on 120 film, produced by [[Mihama]] (or Suruga) during the 1950s. There were at least two models, of which one had variations: all control film advance via a red window on the back, and all have a "Mihama Anastigmat" 75mm f/3.5 lens. (Mihama does not seem to have been a lens maker, and "Mihama" lenses can be presumed to have been a mere matter of branding.) All had a vertical style folding body, and none had a rangefinder.
  

Revision as of 11:27, 21 July 2006

Japanese Semi (4.5×6)
Prewar and wartime models (edit)
folding
Semi Ace | Semi Adler | Adler III | Adler A | Adler B | Adler C | Semi Ako | Ami | Bakyna | Semi Chrome | Semi Clover | Collex | Semi Condor | Semi Dymos | Semi Elega | Semi First | Auto Semi First | Baby Semi First | Gaica | Semi Gelto | Semi Germa | Hansa Semi Rollette | Heil | Hokoku | Hope | Kadera | Kankyu | Kelly | Kiko Semi | Semi Kinka | Semi Konter | Semi Kreis | Semi Kulax | Semi Lead | Semi Leotax | Semi Lester | Loyal | Semi Lucky | Semi Lyra | Semi Makinet | Semi Metax | Semi Minolta (I) and II | Auto Semi Minolta | Semi Miss | Mizuho | Semi Mulber | Semi National | New Gold | Okaco | Oko Semi | Semi Olympus | Semi Olympus II | Semi Osamo | Semi Pearl | Primo | Semi Prince | Semi Proud | Semi Prux | Roavic | Semi Rody | Rondex | Semi Rosen | Semi Rotte | Seica | Seves | Semi Shiks | Sintax | Semi Sixteenth | Semi Solon | Semi Sport | Star Semi | Semi-Tex | Tsubasa Kiko Three | Tsubasa Nettar | Tsubasa Super Semi | Ugein | Vester-Lette | Victor | Waltax | Wester | Zeitax
collapsible
Semi Kinsi | Lord | Lyrax | Nippon | New Olympic | Semi Olympic | Semi Renky | Auto Victor | Well Super
stereo
Sun Stereo
unknown
Semi Elka | Semi Keef | Napoleon
Postwar models (edit)
folding
Apollo | Semi Blond | Semi Crystar | Daido Semi | Doris | Semi Frank | Semi Gelto | Semi Golder | Karoron | Karoron RF | Kely | Kiko Semi | Korin | Kuri | BB Kuri | Lark | Semi Leotax | Semi Leotax DL / R | Lo Ruby | Semi Lord | Luck | Semi Lyra | Semi Masmy | Middl 120 | Semi Mihama | Mikado | Million Proud | Semi Minolta III | Semi Minolta P | Semi Oscon | Semi Pearl | Pearl I–III | Pearl IV | Petri | Petri RF | Petri Super | Pioneer | Semi Proud | Semi Rocket | Rocky Semi | Rosen | Ruby | Shinkoh Rabbit | Semi Sport | Tsubasa Semi | Union Semi | Union Model U | Walcon Semi | Waltax | Semi Wester | Zenobia
rigid or collapsible
Semi Dak | Semi Hobix | Super Semi Plum | Rocket Camera | Tomy
Japanese SLR, TLR, pseudo TLR and stereo models ->
Japanese 3×4 and 4×4, 4×5 and 4×6.5, 6×6 and 6×9 ->

The Semi Mihama is a folding camera for 6×4.5 on 120 film, produced by Mihama (or Suruga) during the 1950s. There were at least two models, of which one had variations: all control film advance via a red window on the back, and all have a "Mihama Anastigmat" 75mm f/3.5 lens. (Mihama does not seem to have been a lens maker, and "Mihama" lenses can be presumed to have been a mere matter of branding.) All had a vertical style folding body, and none had a rangefinder.

An advertisement in the May 1952 issue of the Japanese magazine Camera Fan by Mihama Seikō (三浜精工株式会社) shows the Semi Mihama as a cheaper alternative to the Mihama Six. It has a flat top, from which knobs and a rectangular viewfinder protrude. Surprisingly, three versions are advertised, each with a different shutter: "I", MHS shutter (B, 25–150); "II", MHS shutter (yes, the same name; B, 10–200); "III", NKS shutter (B, 1–200, with self timer).

An advertisement in the January 1955 issue of the Japanese magazine Shashin Salon by Mihama's successor Suruga Seiki (駿河精機株式会社) shows a different-looking Semi Mihama, with a more rounded top. This has an NKS shutter (B, 1–200, with self timer); it is not referred to as "III" or anything else beyond simply "Semi Mihama".

Source / further reading

  • Asahi Camera (アサヒカメラ) editorial staff. Shōwa 10–40nen kōkoku ni miru kokusan kamera no rekishi (昭和10〜40年広告にみる国産カメラの歴史, Japanese camera history as seen in advertisements, 1935–1965). Tokyo: Asahi Shinbunsha, 1994. ISBN 4-02-330312-7 In Japanese only. Pp. 198–9, 370.