Difference between revisions of "Proud postwar folders"

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{{Japanese Semi and Six}}
 
{{Japanese Semi and Six}}
 
{{WIP}}
 
{{WIP}}
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The '''Proud''' postwar folders are Japanese 4.5×6 and 6×6 cameras made by [[Sumida]], certainly a successor of the prewar [[Proud]] company. All are horizontal folders with straight diagonal struts, and all seem to share the same basic body, maybe made a little longer for the 6×6 models.
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== The 4.5×6 models ==
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=== The Semi Proud ===
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The '''Semi Proud''' is a 4.5×6 model. It has a simple viewfinder enclosed in a top housing quite similar to the [[Apollo and Mikado]] cameras by the same company. On the top plate, we find the advance knob on the right end, near the body release and a small hole that is perhaps a double exposure prevention indicator. On the left end there is a decorative knob, while the accessory shoe and folding bed release button are to the left of the viewfinder. The viewfinder window itself is surrounded by a metal plate attached by two screws. The back is hinged to the left and has a single red window near the bottom, protected by a cover horizontally sliding under a metal plate. Some examples have a long metal plate engraved ''SUMIDA OPTICAL WORKS'', exactly similar to the same part on the last [[Apollo and Mikado]] cameras, while other ones have a shorter plate with no engraving.
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Some examples of the Semi Proud have a [[brilliant finder]] above the shutter housing, while others don't.
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The examples of the Semi Proud observed so far are engraved ''Proud'' and ''Model. 50'' above the viewfinder, but examples are reported with "Model 51" instead<REF> Model 51: McKeown, p.&nbsp;907. </REF>, obviously for the years 1950 and 1951. The camera is often called "Proud Model 50" for that reason. The back leather is embossed ''Semi Proud'' and the leather of the folding bed is embossed with a ''KSK'' logo, perhaps for <U>K</U>abushiki Kaisha <U>S</U>umida <U>K</U>ōki.
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The Semi Proud is advertised in the April 1950 issue of ''Ars Camera''<REF> Advertisement reproduced in {{Kokusan}}, p.&nbsp;172. </REF> with the brilliant finder, a Pioter 75/3.5 coated lens and a shutter giving B, 1ndash;200 speeds. Here are the lens and shutter combinations observed so far:
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* Pioter Anastigmat 7.5cm f/3.5 lens, B, 1&ndash;200 shutter reported to be an [[NKS]] (with brilliant finder);<REF> Example observed in an eBay auction. </REF>
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* Wester Anastigmat 7.5cm f/3.5 lens, B, 1&ndash;200 shutter with speed rim engraved ''PROUD'' (with brilliant finder and short plate in the back);<REF> Example observed in an eBay auction. </REF>
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* Wester Anastigmat 7.5cm f/3.5 lens, B, 1&ndash;200 shutter with speed rim engraved ''KSK'', top of the shutter plate marked ''PROUD'' (no brilliant finder).<REF> Example pictured in McKeown, p.&nbsp;907. </REF>
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All these cameras are synchronized via a pin protruding from the bottom right of the shutter housing.
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The Semi Proud is advertised in Japanese magazines until 1951.<REF> {{Kokusan}}, p.&nbsp;362. </REF>
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A camera called '''Proud 120''' was announced in the May 1950 issue of ''Ars Camera'' with a Wester 75/3.5 lens and an [[NKS]] shutter<REF> {{Kokusan}}, p.&nbsp;362. </REF>, but it is probably the Semi Proud called by another same.
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=== The Million Proud ===
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== Notes ==
 
== Notes ==

Revision as of 22:39, 8 October 2006

This article is a stub. You can help Camera-wiki.org by expanding it.
Japanese Semi (4.5×6)
Prewar and wartime models (edit)
folding
Semi Ace | Semi Adler | Adler III | Adler A | Adler B | Adler C | Semi Ako | Ami | Bakyna | Semi Chrome | Semi Clover | Collex | Semi Condor | Semi Dymos | Semi Elega | Semi First | Auto Semi First | Baby Semi First | Gaica | Semi Gelto | Semi Germa | Hansa Semi Rollette | Heil | Hokoku | Hope | Kadera | Kankyu | Kelly | Kiko Semi | Semi Kinka | Semi Konter | Semi Kreis | Semi Kulax | Semi Lead | Semi Leotax | Semi Lester | Loyal | Semi Lucky | Semi Lyra | Semi Makinet | Semi Metax | Semi Minolta (I) and II | Auto Semi Minolta | Semi Miss | Mizuho | Semi Mulber | Semi National | New Gold | Okaco | Oko Semi | Semi Olympus | Semi Olympus II | Semi Osamo | Semi Pearl | Primo | Semi Prince | Semi Proud | Semi Prux | Roavic | Semi Rody | Rondex | Semi Rosen | Semi Rotte | Seica | Seves | Semi Shiks | Sintax | Semi Sixteenth | Semi Solon | Semi Sport | Star Semi | Semi-Tex | Tsubasa Kiko Three | Tsubasa Nettar | Tsubasa Super Semi | Ugein | Vester-Lette | Victor | Waltax | Wester | Zeitax
collapsible
Semi Kinsi | Lord | Lyrax | Nippon | New Olympic | Semi Olympic | Semi Renky | Auto Victor | Well Super
stereo
Sun Stereo
unknown
Semi Elka | Semi Keef | Napoleon
Postwar models (edit)
folding
Apollo | Semi Blond | Semi Crystar | Daido Semi | Doris | Semi Frank | Semi Gelto | Semi Golder | Karoron | Karoron RF | Kely | Kiko Semi | Korin | Kuri | BB Kuri | Lark | Semi Leotax | Semi Leotax DL / R | Lo Ruby | Semi Lord | Luck | Semi Lyra | Semi Masmy | Middl 120 | Semi Mihama | Mikado | Million Proud | Semi Minolta III | Semi Minolta P | Semi Oscon | Semi Pearl | Pearl I–III | Pearl IV | Petri | Petri RF | Petri Super | Pioneer | Semi Proud | Semi Rocket | Rocky Semi | Rosen | Ruby | Shinkoh Rabbit | Semi Sport | Tsubasa Semi | Union Semi | Union Model U | Walcon Semi | Waltax | Semi Wester | Zenobia
rigid or collapsible
Semi Dak | Semi Hobix | Super Semi Plum | Rocket Camera | Tomy
Japanese Six (6×6) (edit)
Prewar and wartime models (edit)
folding
Adler Six | Bonny Six | Clover-Six | Condor Six | First Six | Gelto Six | Gotex | Green | Lyra Six | Super Makinet Six | Mamiya Six | Miyako Six | Mulber Six | Mulix | National Six | Neure Six | Oko Six | Olympus Six | Pilot Six | Romax | Ugein | Vester-Six | Victor Six | Weha Six
collapsible
Ehira Chrome Six | Minolta Six | Shinko Super | Weha Chrome Six
unknown
Freude Six | Heart Camera | Konter Six | Tsubasa Six
Postwar models (edit)
folding
Aires Viceroy | Angel Six | Aram Six | Astoria Super Six | Atom Six | Balm Six | Baron | Beauty Six (1950) | Beauty Six (1953) | Calm Six | Carl Six | Centre Six | Crown | Crystar Six | Daido Six | Dorima Six | Doris Six | Ehira Six | Elbow Six | First Six | Flora Six | Fodor Six | Frank Six | Fujica Six | Super Fujica Six | Futami Six | Gotex | Grace Six | Kohken Chrome Six | Kyowa Six | Liner Six | Lyra Six | Mamiya Six | Middl Six | Mihama Six | Mine Six | Minon Six | Mizuho Six | Motoka Six | Mount Six | Muse Six | Super Naiku | Ofuna Six | Olympus Six | Olympus Chrome Six | Orion Six | Oscar Six | Pigeon Six | Planet | Please Six | Pluto Six | Poppy Six | Press Van | Press Van-120 | Proud Chrome Six | Proud Super Six | Renown Six | Ricoh Six | Ruvikon | Ruvinal | Sanon Six | Silver Six | Sisley 1 | Sisley 2 & 3 | Sister Six | Tenar Six | Toho Six | Tomic | Toyoca Six | Ugein Six | Wagen Six | Walcon 6 | Welmy Six | Wester | Windsor Six
rigid or collapsible
Dia Six | Ehira Chrome Six | Enon Six | Flora | Flashline | Fujipet | Harmony | Mikono-6 | Orion | Ponix | Rich-Ray-6 | Shumy | Weha Chrome Six
Japanese older 6×9 ->
This is a work in progress.

The Proud postwar folders are Japanese 4.5×6 and 6×6 cameras made by Sumida, certainly a successor of the prewar Proud company. All are horizontal folders with straight diagonal struts, and all seem to share the same basic body, maybe made a little longer for the 6×6 models.

The 4.5×6 models

The Semi Proud

The Semi Proud is a 4.5×6 model. It has a simple viewfinder enclosed in a top housing quite similar to the Apollo and Mikado cameras by the same company. On the top plate, we find the advance knob on the right end, near the body release and a small hole that is perhaps a double exposure prevention indicator. On the left end there is a decorative knob, while the accessory shoe and folding bed release button are to the left of the viewfinder. The viewfinder window itself is surrounded by a metal plate attached by two screws. The back is hinged to the left and has a single red window near the bottom, protected by a cover horizontally sliding under a metal plate. Some examples have a long metal plate engraved SUMIDA OPTICAL WORKS, exactly similar to the same part on the last Apollo and Mikado cameras, while other ones have a shorter plate with no engraving.

Some examples of the Semi Proud have a brilliant finder above the shutter housing, while others don't.

The examples of the Semi Proud observed so far are engraved Proud and Model. 50 above the viewfinder, but examples are reported with "Model 51" instead[1], obviously for the years 1950 and 1951. The camera is often called "Proud Model 50" for that reason. The back leather is embossed Semi Proud and the leather of the folding bed is embossed with a KSK logo, perhaps for Kabushiki Kaisha Sumida Kōki.

The Semi Proud is advertised in the April 1950 issue of Ars Camera[2] with the brilliant finder, a Pioter 75/3.5 coated lens and a shutter giving B, 1ndash;200 speeds. Here are the lens and shutter combinations observed so far:

  • Pioter Anastigmat 7.5cm f/3.5 lens, B, 1–200 shutter reported to be an NKS (with brilliant finder);[3]
  • Wester Anastigmat 7.5cm f/3.5 lens, B, 1–200 shutter with speed rim engraved PROUD (with brilliant finder and short plate in the back);[4]
  • Wester Anastigmat 7.5cm f/3.5 lens, B, 1–200 shutter with speed rim engraved KSK, top of the shutter plate marked PROUD (no brilliant finder).[5]

All these cameras are synchronized via a pin protruding from the bottom right of the shutter housing.

The Semi Proud is advertised in Japanese magazines until 1951.[6]

A camera called Proud 120 was announced in the May 1950 issue of Ars Camera with a Wester 75/3.5 lens and an NKS shutter[7], but it is probably the Semi Proud called by another same.

The Million Proud

Notes

  1. Model 51: McKeown, p. 907.
  2. Advertisement reproduced in Kokusan kamera no rekishi, p. 172.
  3. Example observed in an eBay auction.
  4. Example observed in an eBay auction.
  5. Example pictured in McKeown, p. 907.
  6. Kokusan kamera no rekishi, p. 362.
  7. Kokusan kamera no rekishi, p. 362.

Bibliography