Difference between revisions of "Makina 67"

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(Update re Makinette 6x7 prototype, restructured a bit)
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The '''Makina 67''' is a 6×7 strut folding camera with a coupled rangefinder. It was developed by [[Plaubel]] after the company was bought in 1975 by a Japanese company named [[Doi]].
 
The '''Makina 67''' is a 6×7 strut folding camera with a coupled rangefinder. It was developed by [[Plaubel]] after the company was bought in 1975 by a Japanese company named [[Doi]].
  
It was first shown as a prototype "Makinette 6x7" at Photokina 1976, quite different from the production model. Doi requested a redesign by professor Udo M. Geissler at the FH Munich (a colleague of Norbert Schlagheck of [[Schlagheck & Schultes]]), while parts of the final design were by [[Konica]] <ref>http://nikomat.org/priv/camera/mednikkor/makina/makina-e.html</ref>. The chief Konica designer Yasuo Uchida stated that he had to fight with a "professor in Munich" (probably Geissler) over the size of the lens face. Uchida yielded in the end, and now considerds the big flat lens design one of the Makina 67's best distinguishing features<ref>https://www.instagram.com/p/BJx-R8oBMj2/</ref>. The final Makina 67 was first shown at [[Photokina]] 1978, and was released in 1979. The camera's shape is reminiscent of the earlier [[Plaubel Makina|Makina]], and closely resembles the [[Optima Sensor Series|Agfa Optima Sensor Series]], where professor Geissler or his colleagues might also have provided the design.
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=Development and production=
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==Makinette 6x7==
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The Makina 67 was first shown as a prototype "Makinette 6x7" at Photokina 1976, quite different from the production model. The most striking functional difference is the patented viewfinder (US 4166682 A), which would pop up when the lens was pulled out to the infinity setting, and fold into the camera body when the lens was retracted. The purpose was to minimize the dimensions of the camera in the folded state, while providing an unobstructed viewfinder. In the end this concept was not used, making the final design noticeably wider. Further patents were applied for by Goetz Schrader (the previous Plaubel owner) in september 1976, in time for the Photokina launch. This includes the scissor linkage (US 4171891 A), shutter release (US 4166686 A) and adjusting and latching mechanism (US 4146320 A).
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{{Flickr_image
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|image_source= http://www.flickr.com/photos/146425980@N02/31806046621/in/pool-camerawiki/
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|image= http://farm6.staticflickr.com/327/31806046621_108b8ea621.jpg
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|image_align= left
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|image_text= Plaubel Makinette 6x7 prototype closed
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|image_by= Plaubel
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|image_rights= fair use
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}}
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{{Flickr_image
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|image_source= http://www.flickr.com/photos/146425980@N02/31082448344/in/pool-camerawiki/
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|image= http://farm1.staticflickr.com/753/31082448344_226c4298eb.jpg
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|image_align= left
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|image_text= Plaubel Makinette 6x7 prototype open
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|image_by= Plaubel
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|image_rights= fair use
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}}
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==Plaubel Makina 67==
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Doi requested a redesign by professor Udo M. Geissler at the FH Munich (a colleague of Norbert Schlagheck of [[Schlagheck & Schultes]]), while parts of the final design were by [[Konica]] <ref>http://nikomat.org/priv/camera/mednikkor/makina/makina-e.html</ref>. The chief Konica designer Yasuo Uchida stated that he had to fight with a "professor in Munich" (probably Geissler) over the size of the lens face. Uchida yielded in the end, and now considerds the big flat lens design one of the Makina 67's best distinguishing features<ref>https://www.instagram.com/p/BJx-R8oBMj2/</ref>. The final Makina 67 was first shown at [[Photokina]] 1978, and was released in 1979. The camera's shape is reminiscent of the Makinette 6x7 prototype, but also the earlier [[Plaubel Makina|Makina]]. After the redesign it also closely resembles the [[Optima Sensor Series|Agfa Optima Sensor Series]], where professor Geissler or his colleague Norbert Schlagheck seems to have provided the design.
  
 
The production '''Makina 67''' bodies were made in Japan by [[Konica]]. They have a Nikkor 80/2.8 lens.
 
The production '''Makina 67''' bodies were made in Japan by [[Konica]]. They have a Nikkor 80/2.8 lens.
 
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==Further development==
 
The '''Makina 670''' followed, with a modified body, which it shares with the wide-angle '''Makina W67''', equipped with a Nikkor 55/4.5 lens.
 
The '''Makina 670''' followed, with a modified body, which it shares with the wide-angle '''Makina W67''', equipped with a Nikkor 55/4.5 lens.
  

Revision as of 05:04, 28 December 2016

Japanese medium-format VF and RF (edit)
6×9 Fujica G690/GL690 | Fujica GW690/GSW690 | Mamiya Press | Marshal Press
6×8 Fujica GW680/GSW680
6×7 Fujifilm GF670 | Fujica GM670 | Fujica GW670 | Koni-Omega | Makina 67 | Mamiya 7
6×6 Mamiya 6
4.5×6 Bronica RF645 | Fujifilm GA645 | Fujifilm GA645i | Fujifilm GA645W | Fujifilm GA645Wi | Fujifilm GA645Zi | Fujica GS645 / GS645S / GS645W
Japanese medium format SLR and TLR ->
Other Japanese 6×6, 4.5×6, 3×4 and 4×4 ->

The Makina 67 is a 6×7 strut folding camera with a coupled rangefinder. It was developed by Plaubel after the company was bought in 1975 by a Japanese company named Doi.

Development and production

Makinette 6x7

The Makina 67 was first shown as a prototype "Makinette 6x7" at Photokina 1976, quite different from the production model. The most striking functional difference is the patented viewfinder (US 4166682 A), which would pop up when the lens was pulled out to the infinity setting, and fold into the camera body when the lens was retracted. The purpose was to minimize the dimensions of the camera in the folded state, while providing an unobstructed viewfinder. In the end this concept was not used, making the final design noticeably wider. Further patents were applied for by Goetz Schrader (the previous Plaubel owner) in september 1976, in time for the Photokina launch. This includes the scissor linkage (US 4171891 A), shutter release (US 4166686 A) and adjusting and latching mechanism (US 4146320 A).


Plaubel Makina 67

Doi requested a redesign by professor Udo M. Geissler at the FH Munich (a colleague of Norbert Schlagheck of Schlagheck & Schultes), while parts of the final design were by Konica [1]. The chief Konica designer Yasuo Uchida stated that he had to fight with a "professor in Munich" (probably Geissler) over the size of the lens face. Uchida yielded in the end, and now considerds the big flat lens design one of the Makina 67's best distinguishing features[2]. The final Makina 67 was first shown at Photokina 1978, and was released in 1979. The camera's shape is reminiscent of the Makinette 6x7 prototype, but also the earlier Makina. After the redesign it also closely resembles the Agfa Optima Sensor Series, where professor Geissler or his colleague Norbert Schlagheck seems to have provided the design.

The production Makina 67 bodies were made in Japan by Konica. They have a Nikkor 80/2.8 lens.

Further development

The Makina 670 followed, with a modified body, which it shares with the wide-angle Makina W67, equipped with a Nikkor 55/4.5 lens.



Notes

Bibliography

  • Lewis, Gordon, ed. The History of the Japanese Camera. Rochester, N.Y.: George Eastman House, International Museum of Photography & Film, 1991. ISBN 0-935398-17-1 (paper), 0-935398-16-3 (hard). P. 154.
  • McKeown, James M. and Joan C. McKeown's Price Guide to Antique and Classic Cameras, 12th Edition, 2005-2006. USA, Centennial Photo Service, 2004. ISBN 0-931838-40-1 (hardcover). ISBN 0-931838-41-X (softcover). P. 789.
  • Sugiyama, Kōichi (杉山浩一); Naoi, Hiroaki (直井浩明); Bullock, John R. The Collector's Guide to Japanese Cameras. 国産カメラ図鑑 (Kokusan kamera zukan). Tokyo: Asahi Sonorama, 1985. ISBN 4-257-03187-5. Items 1397–8 and 1400.

Links

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