Difference between revisions of "Konica KC-300"
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| − | [[Konica]] followed the 1988 announcement of the [[Konica KC-100|KC-100]] with a production model, the '''KC-300''' (also offering a black version, the '''KC-300B'''). As with the other [[:Category:Still video|still-video cameras]] of this era, it was not digital; instead, images were stored in the form of analog scan lines onto special 2" video floppy disks. The odd design was intended to be gripped horizontally with a downward tilt. | + | [[Konica]] followed the 1988 announcement of the [[Konica KC-100|KC-100]] with a production model, the '''KC-300''' (also offering a black version, the '''KC-300B'''). As with the other [[:Category:Still video|still-video cameras]] of this era, it was not digital; instead, images were stored in the form of analog scan lines onto special 2" video floppy disks. The odd design was intended to be gripped horizontally with a downward tilt. |
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| + | The KC-300 used a 1/2"-format CCD [[sensor]] of approximately 300,000 pixels, and had a 12 mm f/2.8 [[fixed focus]] lens usable from 1½ feet to infinity. Sold in Japan only, the price of the KC-300 equated to about USD $675<REF>"17 Top Electronic Cameras," December 1991 ''Popular Photography'' (Vol. 98, No. 12; page 108).</REF>. | ||
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| + | ==Notes== | ||
| + | <references/> | ||
==Links== | ==Links== | ||
Revision as of 17:43, 28 March 2012
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Konica followed the 1988 announcement of the KC-100 with a production model, the KC-300 (also offering a black version, the KC-300B). As with the other still-video cameras of this era, it was not digital; instead, images were stored in the form of analog scan lines onto special 2" video floppy disks. The odd design was intended to be gripped horizontally with a downward tilt.
The KC-300 used a 1/2"-format CCD sensor of approximately 300,000 pixels, and had a 12 mm f/2.8 fixed focus lens usable from 1½ feet to infinity. Sold in Japan only, the price of the KC-300 equated to about USD $675[1].
Notes
- ↑ "17 Top Electronic Cameras," December 1991 Popular Photography (Vol. 98, No. 12; page 108).
