Difference between revisions of "Anastigmat"
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Astigmatism is a lens fault that causes a point of the focusing plane appearing as a line on the focal plane. In anastigmatic lenses the fault is corrected by careful combination of lens elements. | Astigmatism is a lens fault that causes a point of the focusing plane appearing as a line on the focal plane. In anastigmatic lenses the fault is corrected by careful combination of lens elements. | ||
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+ | The correction of astigmatism of photographic [[lens]]es is known since 1889 when [[Paul Rudolph]] developed the first Anastigmat lens for [[Carl Zeiss]]. In 1890 this Zeiss lens was named ''[[Protar]]''. A fundemental anastigmatic lens construction was Dennis Cooke's [[Cooke triplet]] in 1893 which combined color correction with anastigmatism. Three airspaced lenses offer a designer just enough degrees of freedom to correct all these basic aberrations. Other remarkable anastigmatic lenses were [[Emil Busch]]'s fast F3.1 ''Glaukar'' anastigmat of 1910 and [[Ernemann]]'s fast F2.0 ''Ernostar'' lenses of the mid-1920s. | ||
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+ | By the mid 20th century, correction for astigmatism was the norm on better cameras, as designs moved on to 4- to 7-element standard lenses. Lens descriptors then highlighted other aspects, such as maximum aperture or "Color" lenses (i.e. achromatic and antireflection-coated). After 1945 an engraving "anastigmat" is generally reserved for lower-end options, typically of the Cooke triplet type. | ||
{{Flickr_image | {{Flickr_image |
Revision as of 13:40, 20 October 2022
1910 Kodak catalog page scanned by Mario Groleau (Image rights) |
Astigmatism is a lens fault that causes a point of the focusing plane appearing as a line on the focal plane. In anastigmatic lenses the fault is corrected by careful combination of lens elements.
The correction of astigmatism of photographic lenses is known since 1889 when Paul Rudolph developed the first Anastigmat lens for Carl Zeiss. In 1890 this Zeiss lens was named Protar. A fundemental anastigmatic lens construction was Dennis Cooke's Cooke triplet in 1893 which combined color correction with anastigmatism. Three airspaced lenses offer a designer just enough degrees of freedom to correct all these basic aberrations. Other remarkable anastigmatic lenses were Emil Busch's fast F3.1 Glaukar anastigmat of 1910 and Ernemann's fast F2.0 Ernostar lenses of the mid-1920s.
By the mid 20th century, correction for astigmatism was the norm on better cameras, as designs moved on to 4- to 7-element standard lenses. Lens descriptors then highlighted other aspects, such as maximum aperture or "Color" lenses (i.e. achromatic and antireflection-coated). After 1945 an engraving "anastigmat" is generally reserved for lower-end options, typically of the Cooke triplet type.
typical Aldis f/7.7 Anastigmat image by John-Henry Collinson (Image rights) |
Anastigmatic lenses of 1910: a Glaukar F:3,1 Anastigmat of Emil Busch and an Ernon F:6,8 Double Anastigmat of Ernemann | |||||
10, 11, symmetrical and 12, half-symmetrical double anastigmats of Goerz (Dagor), Rietzschel and Zeiss |
13, 14, asymmetrical anastigmats and 15, Triple Anastigmat of Goerz, Zeiss and Voigtländer (Heliar) |
The Turner-Reich Anastigmat of 1896 was a remarkable symmetrical construction, consisting of two five-element (!) lens groups.
Links
- Flickr gallery Protar shows the original Zeiss Anastigmat, the Protar variants and shots made with these lenses