Difference between revisions of "Wet-collodion"

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|image_text= Group portrait of Inuit girls and women, 1854. Print from a wet-plate collodion negative<br><small>image by Captain Edward Augustus Inglefield. In the collection of the National Maritime Museum.</small> {{public domain}}
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|image_text= Group portrait of Inuit girls and women, 1854.<br/><small>Print from a wet-plate collodion negative in the collection of the [[:Category: Image by National Maritime Museum|National Maritime Museum]].<br>Image by Captain Edward Augustus Inglefield.</small>
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|image_text= Wet-plate camera by J.J. Pyne of Manchester, with brass lens made by [[Charles Louis Chevalier]]
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|image_text= Wet-plate camera by J.J. Pyne of Manchester, with brass lens<br/>made by [[Charles Louis Chevalier]]
 
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Revision as of 12:48, 11 May 2011

The Wet-Collodion (or wet-plate collodion) process is a negative-positive photographic process using potassium iodide dissolved with collodion - a solution of gun-cotton in ether. Gun-cotton is made by treating cotton wool (almost pure cellulose) with nitric acid, producing nitro-cellulose. Nitro-cellulose was later used as a flexible base material for film; in the wet collodion process, it does the job that gelatine does in modern film; it contains the light-sensitive material, in a layer permeable to chemical solutions.

The potassium iodide/collodion solution is spread onto glass plates, where the ether evaporates. Before the ether completely evaporates, the plates are sensitized in a bath of silver nitrate solution. The plate had to be loaded into a dark slide and exposed while still wet, so the plate preparation had to be done immediately before use (once dry, the collodion would not be permeable to the developing solution[1]). This meant that outside the studio, photographers had to carry a small tent with a supply of plates, sensitization bath and bottles of the solutions. However, the process was popular in part because the plates were considerably more sensitive than other existing media, allowing shorter exposure times, which in particular made portrait photography more convenient.[1]

The process was invented in 1850, and published in 1851 by Frederick Scott Archer, although a Frenchman, Gustave Le Gray may have discovered the process at around the same time.

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