Difference between revisions of "Sony α7"
(→Sony α7: pic) |
|||
Line 15: | Line 15: | ||
===Sony α7=== | ===Sony α7=== | ||
The '''Sony α7''' was the quantum leap in digital [[photography]], by having made a [[CSC|compact mirrorless digital system camera]] (CSC) capable to shoot "''full format''" what means a digital frame format equal to the quite ideal former ''miniature format'', better known as [[35mm]] film 24×36mm frame format. Before the α7's launch in 2013 this format was only available in bulky [[DSLR]]s, in professional camcorders and in the expensive [[Leica M9]]. The CSC has a full format Sony [[CMOS]] 24 [[megapixel]] image sensor, and a built-in [[EVF|electronic viewfinder]]. Its retro style housing resembles a [[Minolta XE]]. Thus Sony finally embraced the Minolta legacy that it represents since it took over all system camera production assets of [[Konica Minolta]] in 2006. | The '''Sony α7''' was the quantum leap in digital [[photography]], by having made a [[CSC|compact mirrorless digital system camera]] (CSC) capable to shoot "''full format''" what means a digital frame format equal to the quite ideal former ''miniature format'', better known as [[35mm]] film 24×36mm frame format. Before the α7's launch in 2013 this format was only available in bulky [[DSLR]]s, in professional camcorders and in the expensive [[Leica M9]]. The CSC has a full format Sony [[CMOS]] 24 [[megapixel]] image sensor, and a built-in [[EVF|electronic viewfinder]]. Its retro style housing resembles a [[Minolta XE]]. Thus Sony finally embraced the Minolta legacy that it represents since it took over all system camera production assets of [[Konica Minolta]] in 2006. | ||
+ | {{Flickr_image | ||
+ | |image_source= https://www.flickr.com/photos/58780736@N08/17072133387/in/pool-camerawiki | ||
+ | |image= http://farm8.staticflickr.com/7725/17072133387_c34f64f7df_c.jpg | ||
+ | |image_align= left | ||
+ | |image_text= [[Sony E-mount]] = "All you can [[adapter|adapt]] ..." ;-)) | ||
+ | |image_by= Nik Chatou | ||
+ | |image_rights= (c) | ||
+ | }} | ||
+ | |||
===Sony α7R=== | ===Sony α7R=== | ||
The more expensive variant '''Sony α7R''' has a 36 [[megapixel]] full format sensor instead, thus being the first non-[[DSLR]] system camera offering this high image resolution. | The more expensive variant '''Sony α7R''' has a 36 [[megapixel]] full format sensor instead, thus being the first non-[[DSLR]] system camera offering this high image resolution. |
Revision as of 18:21, 12 July 2015
With the Sony α7 series Sony began to focus its Sony α system away from cameras with Minolta AF mount to mirrorless CSC cameras with Sony E-mount. The α7 series got the FE-mount variant which supports the new full-frame E-mount lenses. Thus the α7 where Sony's first CSCs with 35mm full-frame image sensor. With the Sony α7 II the move of the system's focus was finished by adding a 5-axis sensor shift, making it the first E-mount camera with anti-shake mechanism, a superior one compared to the "super steady shot" of the A-mount DSLRs and SLTs.
Sony α7 CSC with Sony FE 3.5-5.6/28-70mm kit lens images by Hiroshi Uzu (Image rights) |
Contents
Sony α7
The Sony α7 was the quantum leap in digital photography, by having made a compact mirrorless digital system camera (CSC) capable to shoot "full format" what means a digital frame format equal to the quite ideal former miniature format, better known as 35mm film 24×36mm frame format. Before the α7's launch in 2013 this format was only available in bulky DSLRs, in professional camcorders and in the expensive Leica M9. The CSC has a full format Sony CMOS 24 megapixel image sensor, and a built-in electronic viewfinder. Its retro style housing resembles a Minolta XE. Thus Sony finally embraced the Minolta legacy that it represents since it took over all system camera production assets of Konica Minolta in 2006.
Sony E-mount = "All you can adapt ..." ;-)) image by Nik Chatou (Image rights) |
Sony α7R
The more expensive variant Sony α7R has a 36 megapixel full format sensor instead, thus being the first non-DSLR system camera offering this high image resolution.
α7R, alike the Sony NEX again a dream for lens adaptions image by Nathan Wright (Image rights) |
Sony α7S with fast lens - almost a night-vision device image by Ronan Collett (Image rights) |
Sony α7S
The variant Sony α7S has a 12 megapixel full format sensor and 4K-video-format support. With less but larger pixels it is the low-light queen of Sony's cameras, allowing to shoot autofocus exposures and videos in almost dark places.
Sony α7 II with Nokton "classic" lens image by Marcel Mendoza (Image rights) |
Sony α7 II
The Sony α7, but mightily reworked, for example with tiltable monitor instead of a fixed one. Thus it's not as light and slim as the 1st version. Long expected and finally delivered was the anti-shake mechanism, a 5-axis sensor-shift system.