Difference between revisions of "Panasonic Lumix DMC-GF2"
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It uses the same 12 megapixel sensor sensor as the previous version, but with a improved image processor. The video is now recorded in 1,920 x 1,080 resolution in the AVCHD format. Many of the body controls like mode dial and drive switch have been streamlined, it has a smaller body and many of the functions are now menu driven. A 3 inch 460,000 dot LCD can also operate as a touch screen for many of the functions. | It uses the same 12 megapixel sensor sensor as the previous version, but with a improved image processor. The video is now recorded in 1,920 x 1,080 resolution in the AVCHD format. Many of the body controls like mode dial and drive switch have been streamlined, it has a smaller body and many of the functions are now menu driven. A 3 inch 460,000 dot LCD can also operate as a touch screen for many of the functions. | ||
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| + | * [http://www.dpreview.com/reviews/PanasonicDMCGF2 Panasonic DMC-GF2 review] by Andy Westlake and Richard Butler at [http://www.dpreview.com/ Digital Photography Review] | ||
[[Category: Panasonic]] | [[Category: Panasonic]] | ||
[[Category: Micro four-thirds]] | [[Category: Micro four-thirds]] | ||
[[Category: Japanese digital system cameras]] | [[Category: Japanese digital system cameras]] | ||
Revision as of 05:18, 11 December 2014
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| image by maoby (Image rights) |
The Lumix GF2 is a Micro Four Thirds based digital system camera by Panasonic. It is the successor of the Panasonic Lumix GF1. A newer GF3 was released shortly after.
It uses the same 12 megapixel sensor sensor as the previous version, but with a improved image processor. The video is now recorded in 1,920 x 1,080 resolution in the AVCHD format. Many of the body controls like mode dial and drive switch have been streamlined, it has a smaller body and many of the functions are now menu driven. A 3 inch 460,000 dot LCD can also operate as a touch screen for many of the functions.
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| back view image by the other Bailey (Image rights) |
Links
- Panasonic DMC-GF2 review by Andy Westlake and Richard Butler at Digital Photography Review
