Nadar Express Detective

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The Nadar Express Détective is a detective camera for 9x12cm or 13x18cm plates, and adaptable for sheet film and even roll film. It was made by Paul Nadar, son of Félix Tournachon, the photographic pioneer 'Nadar', in about 1888.

The camera is wooden bodied. An example of it has been seen with black leather covering.[1] Others have been seen in tropical finish, i.e. varnished mahogany without leather covering, with dovetailed joints reinforced with brass corner-plates.[2][3]

The camera has a six-speed shutter in front of the lens, the speeds labelled 1 ('Extra rapide') - 6 ('Trés lente'). There is a key to tension the shutter; the only release appears to be by an air-bulb attachment.

In the two 9x12cm examples seen, the lens is a Steinheil Gruppen Antiplanat, engraved '25mm'; this is the lens diameter, clearly not the focal length. The 13x18cm example has a Demaria Anastigmat Optor 150mm f/4.5 - a very wide aperture for its time.[1] Focusing is by a dial on the left side, which focuses to 0.8 metre. There are Watson-type viewfinders, and tripod bushes, for vertical and horizontal orientation.

Whereas many cameras described as detective cameras have a plate magazine (allowing exposures without conspicuous changing of the plate), this one uses a plate back with a flap at the top for the insertion of a dark slide, and with a ground-glass screen.[1] One of the examples seen is apparently usable with either plates or sheet film,[2] an innovation. Another has been modified (by Nadar) with a roll-film back by Eastman.[3][4]


Notes

  1. 1.0 1.1 1.2 13x18cm Express Détective with 150mm f/4.5 Demaria Optor and black leather covering, apparently for single plates in dark slides, in the stock of dealer Coeln Cameras
  2. 2.0 2.1 9x12cm Express Détective with '25mm' Steinheil Gruppen Antiplanat, in tropical wood finish, also in the stock of Coeln Cameras. The dealer states this camera is adpated for plates or sheet film.
  3. 3.0 3.1 9x12cm Express Détective also with Gruppen Antiplanat and in tropical finish, with Eastman roll-film back in matching wood, and bearing both Nadar's and Eastman's maker's plates.
  4. Advertisement for the camera, showing model for plates and roll film, reproduced in the exhibition The Nadars, a photographic legend at the Bibliothèque Nationale de France