Difference between revisions of "Minolta Six"

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{{Japanese Semi and Six}}
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{{Japanese Six}}
 
The '''Minolta Six''' was a [[bakelite]] 6×6 camera. It was made by Molta (later [[Minolta]]) around 1935.  
 
The '''Minolta Six''' was a [[bakelite]] 6×6 camera. It was made by Molta (later [[Minolta]]) around 1935.  
 
The lens and shutter assembly was mounted on a front plate, itself attached to a collapsible structure composed of three rectangular sliding boxes. The result was like a folding camera, with no bellows. This system had been used previously on the [[Minolta Vest]] 4×6.5 camera. There was a folding optical finder on the top, a metal table stand attached to the front plate and a nameplate marked ''Minolta Six'' screwed in front of the body.
 
The lens and shutter assembly was mounted on a front plate, itself attached to a collapsible structure composed of three rectangular sliding boxes. The result was like a folding camera, with no bellows. This system had been used previously on the [[Minolta Vest]] 4×6.5 camera. There was a folding optical finder on the top, a metal table stand attached to the front plate and a nameplate marked ''Minolta Six'' screwed in front of the body.

Revision as of 11:24, 21 July 2006

Japanese Six (6×6)
Prewar and wartime models (edit)
folding
Adler Six | Bonny Six | Clover-Six | Condor Six | First Six | Gelto Six | Gotex | Green | Lyra Six | Super Makinet Six | Mamiya Six | Miyako Six | Mulber Six | Mulix | National Six | Neure Six | Oko Six | Olympus Six | Pilot Six | Romax | Ugein | Vester-Six | Victor Six | Weha Six
collapsible
Ehira Chrome Six | Minolta Six | Shinko Super | Weha Chrome Six
unknown
Freude Six | Heart Camera | Konter Six | Tsubasa Six
Postwar models (edit)
folding
Aires Viceroy | Angel Six | Aram Six | Astoria Super Six | Atom Six | Balm Six | Baron | Beauty Six (1950) | Beauty Six (1953) | Calm Six | Carl Six | Centre Six | Crown | Crystar Six | Daido Six | Dorima Six | Doris Six | Ehira Six | Elbow Six | First Six | Flora Six | Fodor Six | Frank Six | Fujica Six | Super Fujica Six | Futami Six | Gotex | Grace Six | Kohken Chrome Six | Kyowa Six | Liner Six | Lyra Six | Mamiya Six | Middl Six | Mihama Six | Mine Six | Minon Six | Mizuho Six | Motoka Six | Mount Six | Muse Six | Super Naiku | Ofuna Six | Olympus Six | Olympus Chrome Six | Orion Six | Oscar Six | Pigeon Six | Planet | Please Six | Pluto Six | Poppy Six | Press Van | Press Van-120 | Proud Chrome Six | Proud Super Six | Renown Six | Ricoh Six | Ruvikon | Ruvinal | Sanon Six | Silver Six | Sisley 1 | Sisley 2 & 3 | Sister Six | Tenar Six | Toho Six | Tomic | Toyoca Six | Ugein Six | Wagen Six | Walcon 6 | Welmy Six | Wester | Windsor Six
rigid or collapsible
Dia Six | Ehira Chrome Six | Enon Six | Flora | Flashline | Fujipet | Harmony | Mikono-6 | Orion | Ponix | Rich-Ray-6 | Shumy | Weha Chrome Six
Japanese SLR, TLR, pseudo TLR and stereo models ->
Japanese 3×4 and 4×4, 4×5 and 4×6.5, 4.5×6 and older 6×9 ->

The Minolta Six was a bakelite 6×6 camera. It was made by Molta (later Minolta) around 1935. The lens and shutter assembly was mounted on a front plate, itself attached to a collapsible structure composed of three rectangular sliding boxes. The result was like a folding camera, with no bellows. This system had been used previously on the Minolta Vest 4×6.5 camera. There was a folding optical finder on the top, a metal table stand attached to the front plate and a nameplate marked Minolta Six screwed in front of the body.

There were two body variants, differing by the back. On one variation, there are three red windows, near the bottom, each with a plate marked 1'3'5'7', 2468 and 1357. The cause for this complex advance pattern was probably that, at the time, the film paperback was not yet marked for the 6×6 format. It is supposed to be the early variant. On the other variation, there is only one red window, vertically centered, with a sliding cover. It probably appeared after the films began to be sold with the 6×6 numbers, thus it is supposed to be the later variant.

The shutter was a Crown, of the rimset type. The shutter plate was marked CROWN at the bottom and PATENTS-NIPPON at the top. The lens was a front cell focusing Coronar Anastigmat. There are variations in the lens aperture and shutter details:

  • Coronar Anastigmat Nippon 80/5.6 & Crown T, B, 25-50-100-150 (Crown C #0), no selftimer (pictured in the book by Francesch, also displayed in later variant on this page at Japan Family Camera)
  • Coronar Anastigmat Nippon 80/4.5 & Crown T, B, 5-10-25-50-100-200, no selftimer (seen in both early and later variant)
  • same lens and shutter, with selftimer (seen in later variant at a Yahoo Japan auction)

There is mention here and there of a variant called Minolta Six Deluxe, about which nothing is known.

Bibliography

  • Dominique Francesch and Jean-Paul Francesch. Histoire de l'appareil photographique Minolta de 1929 à 1985. Paris: Dessain et Tolra, 1985. ISBN 2-249-27685-4

Links