Difference between revisions of "Kalimar Reflex"
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| − | + | {{Flickr_image | |
| + | |image_source= http://www.flickr.com/photos/26262745@N08/3086719033/in/pool-camerawiki | ||
| + | |image= http://farm4.static.flickr.com/3284/3086719033_657d4e2303.jpg | ||
| + | |image_align= right | ||
| + | |image_text= Kalimar Reflex kit | ||
| + | |image_by= Rick Oleson | ||
| + | |image_rights= with permission | ||
| + | }} | ||
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| + | {{stub}} | ||
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| + | This inexpensive Japanese 6x6 SLR was a minor improvement on the [[Fujita 66]], adding an instant-return mirror. | ||
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| + | ====Background==== | ||
| + | |||
| + | When the [[Kalimar]] Reflex appeared in 1957 (an upgrade of the short-lived Soligor 66, which was itself an incarnation of the Fujita 66; all were manufactured by Fujita Optical Company), it was Japan's only (although not first) 2 1/4 square SLR. Worldwide, its competition consisted of the Hasselblad 1000F (about to be superseded by the new 500C), the 1954 Exakta 66... and not much else. The original Bronica was not to appear for another two years, with the Kowas, Noritas, etc, following in due course. | ||
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| + | Allegedly, the camera was designed by the famous German designer Heinz Kilfitt, who is also credited with the design of the Berning Robot and the Kilfitt Mecaflex! | ||
| + | |||
| + | ====Lenses==== | ||
| + | |||
| + | The normal lens was an 80mm f/3.5 triplet of quite adequate performance. Its mount was very awkward to operate, though, and the later Tessar-type f/2.8 offering was a great improvement. Also offered in 1957 was a decent 150/4.0 short tele, an unusual 5-element design in which only the front four moved during focusing; but the big news was the wide angle. At 52mm, this was the widest lens available for a 2 1/4 square SLR anywhere in the world! Adapters were made to fit it to the Hasselblad 1000F, and the combination of 52mm Kaligar and Hasselblad adapter remains a highly desirable item among collectors today. | ||
| + | |||
| + | There was a particular reason why the Kaligar was the widest lens of its day: only about three years after the famous 35mm Angenieux Retrofocus, the 52/3.5 Kaligar was the first retrofocus design lens for medium format. In addition to making wider angle coverage possible in an SLR, the retrofocus design provided improved corner illumination and made higher apertures possible - and it pointed the way to the future, as this concept would become the basis of the tremendous development in wide angle lens design that would follow over the next two decades. | ||
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| + | ==Links== | ||
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| + | *[http://rick_oleson.tripod.com/index-36.html Kalimar Reflex] by [http://rick_oleson.tripod.com/index.html Rick Oleson] | ||
Revision as of 04:56, 15 March 2011
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| Kalimar Reflex kit image by Rick Oleson (Image rights) |
This inexpensive Japanese 6x6 SLR was a minor improvement on the Fujita 66, adding an instant-return mirror.
Background
When the Kalimar Reflex appeared in 1957 (an upgrade of the short-lived Soligor 66, which was itself an incarnation of the Fujita 66; all were manufactured by Fujita Optical Company), it was Japan's only (although not first) 2 1/4 square SLR. Worldwide, its competition consisted of the Hasselblad 1000F (about to be superseded by the new 500C), the 1954 Exakta 66... and not much else. The original Bronica was not to appear for another two years, with the Kowas, Noritas, etc, following in due course.
Allegedly, the camera was designed by the famous German designer Heinz Kilfitt, who is also credited with the design of the Berning Robot and the Kilfitt Mecaflex!
Lenses
The normal lens was an 80mm f/3.5 triplet of quite adequate performance. Its mount was very awkward to operate, though, and the later Tessar-type f/2.8 offering was a great improvement. Also offered in 1957 was a decent 150/4.0 short tele, an unusual 5-element design in which only the front four moved during focusing; but the big news was the wide angle. At 52mm, this was the widest lens available for a 2 1/4 square SLR anywhere in the world! Adapters were made to fit it to the Hasselblad 1000F, and the combination of 52mm Kaligar and Hasselblad adapter remains a highly desirable item among collectors today.
There was a particular reason why the Kaligar was the widest lens of its day: only about three years after the famous 35mm Angenieux Retrofocus, the 52/3.5 Kaligar was the first retrofocus design lens for medium format. In addition to making wider angle coverage possible in an SLR, the retrofocus design provided improved corner illumination and made higher apertures possible - and it pointed the way to the future, as this concept would become the basis of the tremendous development in wide angle lens design that would follow over the next two decades.
