Difference between revisions of "Bokeh"

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Defocused points of light will show the shape of the the aperture opening, and this can be distracting when noticeably hexagonal or octagonal. However simply redesigning a [[diaphragm]] to provide a rounder opening does not guarantee pleasing bokeh<ref>[http://rick_oleson.tripod.com/index-207.html "What's BOKEH, Anyway?"] by [http://rick_oleson.tripod.com/ Rick Oleson].</ref>.  Other factors such as the degree of [http://en.wikipedia.org/wiki/Spherical_aberration spherical aberration] affect how light is distributed within the blur disk; and a complete optical analysis of bokeh can become quite complicated<ref>[http://www.smt.zeiss.com/C12567A8003B8B6F/EmbedTitelIntern/CLN_35_Bokeh_EN/$File/CLN35_Bokeh_en.pdf Depth of Field and Bokeh, by Dr. H. H. Nasse (1.7 Mb PDF)] from Carl Zeiss [http://www.zeiss.com/cln Camera Lens News #35]</ref>.
 
Defocused points of light will show the shape of the the aperture opening, and this can be distracting when noticeably hexagonal or octagonal. However simply redesigning a [[diaphragm]] to provide a rounder opening does not guarantee pleasing bokeh<ref>[http://rick_oleson.tripod.com/index-207.html "What's BOKEH, Anyway?"] by [http://rick_oleson.tripod.com/ Rick Oleson].</ref>.  Other factors such as the degree of [http://en.wikipedia.org/wiki/Spherical_aberration spherical aberration] affect how light is distributed within the blur disk; and a complete optical analysis of bokeh can become quite complicated<ref>[http://www.smt.zeiss.com/C12567A8003B8B6F/EmbedTitelIntern/CLN_35_Bokeh_EN/$File/CLN35_Bokeh_en.pdf Depth of Field and Bokeh, by Dr. H. H. Nasse (1.7 Mb PDF)] from Carl Zeiss [http://www.zeiss.com/cln Camera Lens News #35]</ref>.
  
When background highlights are rendered with a distinct bright-ring perimeter, generally this will lead to very "agitated" bokeh. Because the optimum condition for smooth bokeh is a blur disk which brighten towards its center, Lenses have been offered with a so-called apodization filter surrounding their aperture stop<ref>An example is the 2014 [http://www.dpreview.com/articles/4106200256/fujifilm-introduces-xf-56mm-f1-2-r-apd-with-apodization-filter Fujifilm XF 56mm F1.2 R APD] for [[Fujifilm X lenses|X-mount]] mirrorless digital cameras.</ref> with a neutral-density gradient to "fade out" the edges of the blur disk.
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When background highlights are rendered with a distinct bright-ring perimeter, generally this will lead to very "agitated" bokeh. Because the optimum condition for smooth bokeh is a blur disk which brightens towards its center, Lenses have been offered with a so-called apodization filter surrounding their aperture stop<ref>An example is the 2014 [http://www.dpreview.com/articles/4106200256/fujifilm-introduces-xf-56mm-f1-2-r-apd-with-apodization-filter Fujifilm XF 56mm F1.2 R APD] for [[Fujifilm X lenses|X-mount]] mirrorless digital cameras.</ref> with a neutral-density gradient to "fade out" the edges of the blur disk.
  
 
Lens designers must balance many factors, such as in-focus sharpness, cost, and weight; and in some cases bokeh may be compromised to reach these goals. A lens's bokeh may be particularly jangly at its widest aperture, but considerably smoother when closed down by 1 or 2 f/stops. But a highly patterned background that is only slightly out of focus can give troubling bokeh regardless of the lens design.
 
Lens designers must balance many factors, such as in-focus sharpness, cost, and weight; and in some cases bokeh may be compromised to reach these goals. A lens's bokeh may be particularly jangly at its widest aperture, but considerably smoother when closed down by 1 or 2 f/stops. But a highly patterned background that is only slightly out of focus can give troubling bokeh regardless of the lens design.

Revision as of 19:04, 18 July 2015

Glossary Terms


Bokeh (Japanese "boke" = blur or haze) is how a lens renders the defocused areas of an image.

Blur Qualities

The defocused areas of an image can be busy and distractingly patterned; or smooth and "creamy." The effect becomes especially visible when the unsharp background (or foreground) has significant contrasts, as with pinpoints of light appearing against darker surroundings. The term bokeh is used when discussing the subjective quality of the blurred area. Portraiture particularly calls for lenses with pleasant, soft, undisturbing bokeh.

Defocused points of light will show the shape of the the aperture opening, and this can be distracting when noticeably hexagonal or octagonal. However simply redesigning a diaphragm to provide a rounder opening does not guarantee pleasing bokeh[1]. Other factors such as the degree of spherical aberration affect how light is distributed within the blur disk; and a complete optical analysis of bokeh can become quite complicated[2].

When background highlights are rendered with a distinct bright-ring perimeter, generally this will lead to very "agitated" bokeh. Because the optimum condition for smooth bokeh is a blur disk which brightens towards its center, Lenses have been offered with a so-called apodization filter surrounding their aperture stop[3] with a neutral-density gradient to "fade out" the edges of the blur disk.

Lens designers must balance many factors, such as in-focus sharpness, cost, and weight; and in some cases bokeh may be compromised to reach these goals. A lens's bokeh may be particularly jangly at its widest aperture, but considerably smoother when closed down by 1 or 2 f/stops. But a highly patterned background that is only slightly out of focus can give troubling bokeh regardless of the lens design.

Spelling

The final h in bokeh is sometimes omitted; similar Japanese words such as sake do not use it. But when publishing four articles on the topic in the March/April 1997 issue of Photo Techniques, editor Mike Johnston decided that some readers might mistake the word as rhyming with "toke." Adding the final h was intended to suggest the correct pronunciation to English-speakers[4].

Misuse of term

The word bokeh is sometimes misunderstood to mean a photograph with especially prominent out-of-focus areas, e.g. "a bokeh shot." This confuses the quantity of the blur with its quality. A lens's entrance pupil diameter is the main parameter determining the amount of distant background blur; the specific optical formula has little effect.

References

Links