Difference between revisions of "Argus Argoflex Seventy-Five"
m (correcting Collection Appareils link) |
m (present tense) |
||
| (11 intermediate revisions by 5 users not shown) | |||
| Line 9: | Line 9: | ||
| − | The '''Argoflex Seventy-Five''' and '''Argus Seventy-Five''' | + | The '''Argoflex Seventy-Five''' and '''Argus Seventy-Five''' are two name variants of the same model of [[pseudo TLR]], produced by [[Argus]] in the USA, beginning in 1949. |
| − | The main body | + | The main body is molded from plastic (perhaps [[bakelite]]), while the film door is a painted metal casting. The front panel and viewfinder hood are in a contrasting satin-finish metal. A cloth neck strap is permanently attached to the top of the body. |
| − | Images | + | Images are 6x6cm on [[620 film]]. While essentially a simple camera, it has [[double-exposure prevention]], as well as a clever reminder when the film has been wound: A red-painted shutter blade is visible through the taking lens only after the shutter is cocked. Frame spacing relies on a [[red window]], however. |
| − | The lens | + | The lens is a 75mm Lumar, a single meniscus element in front of a fixed aperture of approximately f/11. A version sold in Australia has ''Argus Lumar 75mm Made in Australia'' printed on the lens mount. The shutter runs around 1/50 of a second, with a small slider next to the shutter release selecting between "Inst" (instant) and "Time" (actually bulb). |
A standard Argus Seventy-Five kit would typically have included a leather protective case, flashbulb holder (mounted with two pins 1-3/16" apart), and a slip-on accessory "portrait" lens to focus in the 3 to 4 foot range. | A standard Argus Seventy-Five kit would typically have included a leather protective case, flashbulb holder (mounted with two pins 1-3/16" apart), and a slip-on accessory "portrait" lens to focus in the 3 to 4 foot range. | ||
| Line 21: | Line 21: | ||
The final version of the Seventy-Five in production until 1964 received a modest redesign of its graphics, becoming the [[Argus 75]]. [[Argus]] also offered two higher-specification variations on the Seventy-Five, adding a focusable lens: the [[Argus 40]] and the [[Argus Super Seventy-Five]]. | The final version of the Seventy-Five in production until 1964 received a modest redesign of its graphics, becoming the [[Argus 75]]. [[Argus]] also offered two higher-specification variations on the Seventy-Five, adding a focusable lens: the [[Argus 40]] and the [[Argus Super Seventy-Five]]. | ||
| − | Owners hoping photograph with a Seventy-Five using currently-available [[120 film]] will find that a 620 take-up spool is required. It is impossible to fit a 120 spool into the take-up compartment, as its dimensions are too small in all directions. However, a fresh roll of 120 can just barely be squeezed into the supply compartment, perhaps with some trimming down of the spool flanges. | + | To date your Seventy-Five, look through the inside for a four-digit code. Not every version has one, but for those that do it indicates the month and year of manufacture: 5303 for instance corresponds to March 1953. |
| + | |||
| + | Owners hoping to photograph with a Seventy-Five using currently-available [[120 film]] will find that a 620 take-up spool is required. It is impossible to fit a 120 spool into the take-up compartment, as its dimensions are too small in all directions. However, a fresh roll of 120 can just barely be squeezed into the supply compartment, perhaps with some trimming down of the spool flanges. | ||
==Bibliography== | ==Bibliography== | ||
| − | {{Argomania}} | + | *{{Argomania}} |
==Links== | ==Links== | ||
| − | * [http://www.merrillphoto.com/Argoflex75.htm Photos taken with Argoflex] on MerrillPhoto.com | + | *[http://www.artdecocameras.com/cameras/argus/argoflex-seventy-five/ Argoflex Seventy-Five review] at [http://www.artdecocameras.com/ Art Deco Cameras] |
| + | * [https://web.archive.org/web/20090308081617/http://www.merrillphoto.com/Argoflex75.htm Photos taken with Argoflex] (archived) on [http://www.merrillphoto.com/ MerrillPhoto.com] | ||
* [http://arguscg.tripod.com/id57.html Various Argoflex cameras] on the [http://arguscg.tripod.com/ Argus Collectors Group site] | * [http://arguscg.tripod.com/id57.html Various Argoflex cameras] on the [http://arguscg.tripod.com/ Argus Collectors Group site] | ||
| − | *[http://www.collection-appareils.fr/x/html/page_standard.php?id_appareil=939 Argus seventy five] at [http://www.collection-appareils.fr/general/html/francais.php Sylvain Halgand's www.collection-appareils.fr] | + | *[http://www.collection-appareils.fr/x/html/page_standard.php?id_appareil=939 Argus seventy five] at [http://www.collection-appareils.fr/general/html/francais.php Sylvain Halgand's www.collection-appareils.fr] (in French) |
| − | [[Category:Argus]] | + | [[Category:Argus|Argoflex Seventy-Five]] |
| − | [[ | + | [[Category:A|Argoflex Seventy-Five Argus]] |
| + | [[Category:Pseudo TLR]] | ||
| + | [[Category:620 film]] | ||
| + | [[Category:Bakelite]] | ||
Latest revision as of 13:19, 20 February 2024
|
| Argus Seventy-five image by Steve Harwood (Image rights) |
The Argoflex Seventy-Five and Argus Seventy-Five are two name variants of the same model of pseudo TLR, produced by Argus in the USA, beginning in 1949.
The main body is molded from plastic (perhaps bakelite), while the film door is a painted metal casting. The front panel and viewfinder hood are in a contrasting satin-finish metal. A cloth neck strap is permanently attached to the top of the body.
Images are 6x6cm on 620 film. While essentially a simple camera, it has double-exposure prevention, as well as a clever reminder when the film has been wound: A red-painted shutter blade is visible through the taking lens only after the shutter is cocked. Frame spacing relies on a red window, however.
The lens is a 75mm Lumar, a single meniscus element in front of a fixed aperture of approximately f/11. A version sold in Australia has Argus Lumar 75mm Made in Australia printed on the lens mount. The shutter runs around 1/50 of a second, with a small slider next to the shutter release selecting between "Inst" (instant) and "Time" (actually bulb).
A standard Argus Seventy-Five kit would typically have included a leather protective case, flashbulb holder (mounted with two pins 1-3/16" apart), and a slip-on accessory "portrait" lens to focus in the 3 to 4 foot range.
The final version of the Seventy-Five in production until 1964 received a modest redesign of its graphics, becoming the Argus 75. Argus also offered two higher-specification variations on the Seventy-Five, adding a focusable lens: the Argus 40 and the Argus Super Seventy-Five.
To date your Seventy-Five, look through the inside for a four-digit code. Not every version has one, but for those that do it indicates the month and year of manufacture: 5303 for instance corresponds to March 1953.
Owners hoping to photograph with a Seventy-Five using currently-available 120 film will find that a 620 take-up spool is required. It is impossible to fit a 120 spool into the take-up compartment, as its dimensions are too small in all directions. However, a fresh roll of 120 can just barely be squeezed into the supply compartment, perhaps with some trimming down of the spool flanges.
Bibliography
- Gambino, Henry J. Argomania: A Look At Argus Cameras and the Company That Made Them. Doylestown, PA: Aeone Communications 2005. ISBN 0-9770507-0-X
