120 film

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See the Category: 120 film.

120 is a film format for still photography introduced by Kodak for their Brownie No. 2 in 1901, and still very popular, as the surviving medium format.

The 120 film allows several image formats, the most common being the 6 × 6 cm (120 square format), or more exactly 56 × 56 mm. It is sometimes referred to as 2¼ × 2¼ inch film, though this is less common. Rectangular formats 6 × 9 cm (120 full-frame format) and 6 × 4.5 cm (120 half-frame format) are also standard. Additionally 6 × 7 cm, and even 6 × 8 cm are used. Special-purpose panoramic cameras even produce 6 × 12 or 6 × 17 cm exposures. Like 6 × 6, all sizes are nominal; actual dimensions are a bit smaller, and in fact, 6 × 7 and 6 × 4.5 enlarge almost exactly (without wasting any film) to 8 × 10 paper, for which reason their proponents call them "ideal formats." The 645 format (6 × 4.5) in particular is the smallest, lightest, least expensive, and most popular roll-film design.

There are 16 exposures per roll for 6 × 4.5 format, 12 for 6 × 6, 10 for 6 × 7, 9 for 6 × 8 and 8 for 6 × 9. The film is 72 cm long.

In Japan, 120 film was called "Brownie film" until approximately the 1950s, because it was introduced for a Brownie camera. At the same time, the 6 × 4.5 format was called Semi and the 6 × 6 format was called Six in full letters.

The 120 is a typical roll film format. The bobbin was originally made of wood with metal flanges, later all metal, and finally plastic. Frame number markings for the three standard image formats are printed on the backing paper.

The 120 format was originally intended for amateur photography. It was later superseded in this role by 35mm film, and became a format for professional use.

220, introduced in 1965, is the same format as 120, but with double length (144 cm) film and thus twice the number of exposures per roll. Unlike the 120, there is no backing paper behind the film itself, just a leader and a trailer. This results in a longer film on the same spool, but as a result, there are no printed frame numbers, and moreover, it cannot be used in unmodified old cameras that have the red window as frame indicator. Also, since the film alone is thinner than a film with a backing paper, depending on camera type a special pressure plate may be required to achieve optimal focus. Some camera capable of using both 120 and 220 film will have a two position adjustment of the pressure plate while others will require different film backs.

The 620, introduced by Kodak in 1931 as an intended alternative to the 120, is essentially the same film on a slightly different, all metal, thinner spool (120 was wood cored at that time):

• 120 2.466" length, 0.990" flange, 0.468" core
• 620 2.468" length, 0.905" flange, 0.280" core

620 film was discontinued in 1995, but some photographers respool 120 film on 620 spools in the darkroom to use their 620 cameras.

105, introduced by Kodak in 1898 for their first folding camera, was the original 6 × 9 cm format roll film. 117, introduced by Kodak in 1900 for their first Brownie camera, was 6 × 6 cm format. These formats used the same width film as the 120, but with slightly different spools.

See also

• 127 film