Mamiya Six

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Japanese Six (6×6)
Prewar and wartime models (edit)
folding
Adler Six | Bonny Six | Clover-Six | Condor Six | First Six | Gelto Six | Gotex | Green | Lyra Six | Super Makinet Six | Mamiya Six | Miyako Six | Mulber Six | Mulix | National Six | Neure Six | Oko Six | Olympus Six | Pilot Six | Romax | Ugein | Vester-Six | Victor Six | Weha Six
collapsible
Ehira Chrome Six | Minolta Six | Shinko Super | Weha Chrome Six
unknown
Freude Six | Heart Camera | Konter Six | Tsubasa Six
Postwar models (edit)
folding
Aires Viceroy | Angel Six | Aram Six | Astoria Super Six | Atom Six | Balm Six | Baron | Beauty Six (1950) | Beauty Six (1953) | Calm Six | Carl Six | Centre Six | Crown | Crystar Six | Daido Six | Dorima Six | Doris Six | Ehira Six | Elbow Six | First Six | Flora Six | Fodor Six | Frank Six | Fujica Six | Super Fujica Six | Futami Six | Gotex | Grace Six | Kohken Chrome Six | Kyowa Six | Liner Six | Lyra Six | Mamiya Six | Middl Six | Mihama Six | Mine Six | Minon Six | Mizuho Six | Motoka Six | Mount Six | Muse Six | Super Naiku | Ofuna Six | Olympus Six | Olympus Chrome Six | Orion Six | Oscar Six | Pigeon Six | Planet | Please Six | Pluto Six | Poppy Six | Press Van | Press Van-120 | Proud Chrome Six | Proud Super Six | Renown Six | Ricoh Six | Ruvikon | Ruvinal | Sanon Six | Silver Six | Sisley 1 | Sisley 2 & 3 | Sister Six | Tenar Six | Toho Six | Tomic | Toyoca Six | Ugein Six | Wagen Six | Walcon 6 | Welmy Six | Wester | Windsor Six
rigid or collapsible
Dia Six | Ehira Chrome Six | Enon Six | Flora | Flashline | Fujipet | Harmony | Mikono-6 | Orion | Ponix | Rich-Ray-6 | Shumy | Weha Chrome Six
Japanese SLR, TLR, pseudo TLR and stereo models ->
Japanese 3×4 and 4×4, 4×5 and 4×6.5, 4.5×6 and older 6×9 ->

This article is about the camera made in the 1940s and 50s. For the 1990s camera, see Mamiya 6.

The Mamiya Six is a series of 6×6 folders with a coupled rangefinder, made by Mamiya from 1940 to the 1950s. All of them are focused by moving the film plane. Some have Zuiko lenses.

Contents

Evolution

The Mamiya Six I, II and III were wartime and immediate postwar models, and had both eye-level and waist-level finders. The coupled rangefinder was combined with the eye-level finder. As a result, there were three windows at the front of the top housing. The Mamiya Six III added an exposure counter with double exposure prevention.

With the Mamiya Six IV, introduced in 1947, the waist-level finder disappeared. It remained the sole model until 1953. The Mamiya Six V added the dual 6×6 and 4.5×6 format capability, with an exposure counter functioning with both formats. The Mamiya Six K was a simpler model, with film advance via red windows.

In 1955, the Mamiya Six IVB introduced a squarer body design, easily recognized by the square rangefinder window. Its features were similar to the model IV. The Mamiya Six K2 was similar to the model K with the new body. The body design was slightly modified again for the Mamiya Six IVS and simpler Mamiya Six P.

From 1955, the Mamiya Six Automat and the later Automat 2 added a coupling between the shutter cocking and the film advance.

Pictures

Further reading

In Japanese:

  • Kitano Kunio (北野邦雄). Mamiya Shikkusu no sho (マミヤシックスの書, The book of the Mamiya Six). Tokyo: Kōgasō, 1942.
  • Ōba Eiichi (大場栄一). Mamiya Shikkusu no tsukaikata (マミヤシックスの使い方, How to use the Mamiya Six). Tokyo: Kōgasō, 1956.

Links

General links

In English:

In Swedish:

In Japanese:

Instructions

In English:

Original documentation

In Japanese:

Repair notes

In French:

In Japanese:

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