Difference between revisions of "Norca (35mm)"

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* [[Boyer]] Saphir 50/3.5 & Norca Paris T-B-25-50-100-300 (see [http://clicclac.free.fr/unappareil.php?numero=870 here])
 
* [[Boyer]] Saphir 50/3.5 & Norca Paris T-B-25-50-100-300 (see [http://clicclac.free.fr/unappareil.php?numero=870 here])
  
The production was resumed in 1945 as the '''Norca B'''. It was the same model but the telescopic tube was no longer spring loaded and there was a shutter release inside the exposure counter. After the war, FAP began to assemble their own FAP Anastigmat 50/3.5 lens (marked ''FAP PARIS ANASTIGMAT'') and their own Rapid-Synchro shutter from 1s to 1/500 (marked ''NORCA'' on top and ''RAPID-SYNCHRO-00'' at the bottom, with FAP logo on the left and Norca logo on the right). Known lens/shutter combinations for the Norca B:
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The production was resumed in 1945 as the '''Norca B'''. It was the same model but the telescopic tube was no longer spring loaded. In addition, there was also what looks like a shutter release inside the exposure counter. After the war, FAP began to assemble their own FAP Anastigmat 50/3.5 lens (marked ''FAP PARIS ANASTIGMAT'') and their own Rapid-Synchro shutter from 1s to 1/500 (marked ''NORCA'' on top and ''RAPID-SYNCHRO-00'' at the bottom, with FAP logo on the left and Norca logo on the right). Known lens/shutter combinations for the Norca B:
 
* FAP Anastigmat 50/3.5 & Norca Paris T-B-25-50-100-300 (pictured in Vial)
 
* FAP Anastigmat 50/3.5 & Norca Paris T-B-25-50-100-300 (pictured in Vial)
 
* [[Berthiot]] Flor 50/3.5 & Norca Rapid-Synchro B-1-500, white shutter plate (see [http://www.collection-appareils.com/appareils/html/norca_b.php here])
 
* [[Berthiot]] Flor 50/3.5 & Norca Rapid-Synchro B-1-500, white shutter plate (see [http://www.collection-appareils.com/appareils/html/norca_b.php here])
 
*  
 
*  
  
The '''Norca Cmt''' was the same camera with an aluminium body instead of the black plastic body. The top, bottom and front plate were in polished aluminium finish, and the rest was leather covered. An accessory shoe was added between the finder and the advance knob. Some models nicknamed '''Norca C de luxe''', have brown leather covering and a brown shutter plate.
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The '''Norca Cmt''' was the same camera with an aluminium body instead of the black plastic body. The top, bottom and front plate were in polished aluminium finish, and the rest was leather covered. An accessory shoe was added between the finder and the advance knob. Some models nicknamed '''Norca C de luxe''', have brown leather covering and a brown shutter plate. Known lens/shutter combinations for the Norca Cmt:
 +
* [[Boyer]] Saphir 50/3.5 & Norca Rapid-Synchro B-1-500 (pictured in Vial, see also [http://perso.wanadoo.fr/photoptic/FAP.htm here])
 +
* [[Boyer]] Saphir 50/3.5 & Norca Rapid-Synchro B-1-500, brown leather and brown shutter plate (pictured in Vial)
 +
 
 +
The '''Norca III A''' was announced with a focal plane shutter and interchangeable lenses (see an ad [http://perso.wanadoo.fr/photoptic/FAP.htm here]). According to Vial, it was presented at the 1948 salon in Paris, but it never came into production.
  
 
== Norca accessories ==
 
== Norca accessories ==

Revision as of 19:10, 20 April 2006

The Norca is a series of cameras made by the French society FAP between 1938 and the beginning of the 1950s. They were inspired by the Argus A.

The original Norca, or Norca A, was launched in 1938 and was the first 24x36 camera made in France. It had a 50/3.5 Boyer Saphir or Berthiot Flor lens, and a T-B-25-50-100-300 shutter marked Norca Paris. According to Vial, this shutter was made by Gitzo. The lens and shutter assembly was mounted on a spring-loaded telescopic tube. The Norca had a black plastic body with leather covering, and a metal removable back. It had a tubular optical viewfinder molded with the body, an exposure counter at the top right, an advance knob at the top left and a rewind knob at the bottom right. The metal front plate was attached by four apparent screws. The production was stopped by the war. Known lens/shutter combinations for the Norca A:

  • Boyer Saphir 50/3.5 & Norca Paris T-B-25-50-100-300 (see here)

The production was resumed in 1945 as the Norca B. It was the same model but the telescopic tube was no longer spring loaded. In addition, there was also what looks like a shutter release inside the exposure counter. After the war, FAP began to assemble their own FAP Anastigmat 50/3.5 lens (marked FAP PARIS ANASTIGMAT) and their own Rapid-Synchro shutter from 1s to 1/500 (marked NORCA on top and RAPID-SYNCHRO-00 at the bottom, with FAP logo on the left and Norca logo on the right). Known lens/shutter combinations for the Norca B:

  • FAP Anastigmat 50/3.5 & Norca Paris T-B-25-50-100-300 (pictured in Vial)
  • Berthiot Flor 50/3.5 & Norca Rapid-Synchro B-1-500, white shutter plate (see here)

The Norca Cmt was the same camera with an aluminium body instead of the black plastic body. The top, bottom and front plate were in polished aluminium finish, and the rest was leather covered. An accessory shoe was added between the finder and the advance knob. Some models nicknamed Norca C de luxe, have brown leather covering and a brown shutter plate. Known lens/shutter combinations for the Norca Cmt:

  • Boyer Saphir 50/3.5 & Norca Rapid-Synchro B-1-500 (pictured in Vial, see also here)
  • Boyer Saphir 50/3.5 & Norca Rapid-Synchro B-1-500, brown leather and brown shutter plate (pictured in Vial)

The Norca III A was announced with a focal plane shutter and interchangeable lenses (see an ad here). According to Vial, it was presented at the 1948 salon in Paris, but it never came into production.

Norca accessories

An ad displayed here at Sylvain Halgand's site shows the following Norca accessories:

  • flash unit
  • pocket rangefinder
  • eveready case
  • hood and filters

Bibliography

  • Histoire des appareils français, B. Vial, Ed. Maeght

Links