Hit

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Japanese subminiature
8mm film Camera "A" | Camera-Lite | Echo 8 | Kaitenkei
9.5mm film Doryu 1 | Fujica 8×11mm SLR | Yashica Atoron
16mm film Albert | Beauty 16 | Bell 16 | Bell Kamra | Binoca | Camera "B" | CM-16 | Cyclops | Dan 16 | Darling-16 | Doryu 2-16 | Fujica 16mm SLR | Gemmy | Glico Pistol | Konan-16 Automat | Mamiya 16 Automatic | Mica Automat | Micta | Minolta-16 | Minolta-16 EE | Minolta-16 EE II | Minolta-16 MG | Minolta-16 MG-S | Minolta-16 P | Minolta-16 Ps | Minolta 16 QT | Mycro Super 16 | Mykro Fine Color 16 | Nice | Nikon 16 | Poppy | Ramera | Ricoh 16 | Ricoreo 16 | Rubina | Rubix | Seiki 16 | Seiki 16 (pistol) | Shaty 16 | Sonocon 16 | Spy 16 | Steky | Golden Steky | Teleca | Viscawide-16 | Yashica Y16 | Yashica 16 EE | Zany | Zuman Super 16 | Zunow Z16
unknown Matchbox camera
17.5mm film Arrow | Baby Flex | Baby-Max | Barlux | Beauty 14 | Bell 14 | Blondy | Baby Colon | Comex | Corona | Croma Color 16 | Epochs | Fuji Kozet | Gamma | Gem 16 | Gemflex | Glico Lighter | Halmat | Hit | Hit-II | Hit-type | Hobby 16 | Homer No.1 | Homer 16 | Honey | Hope | Jenic | Kiku 16 | Kent | Kolt | Kute | Lovely | Mascot | Meteor | Micky | Midget | Mighty | Mini | Moment | Mycro | Myracle | Nikkobaby | Peace | Peace Baby Flex | Peace Small Lef | Pet | Petit | Petty | Prince 16-A | Prince Ruby | Robin | New Rocket | Rubina | Rubix | Saga 16 | Saica | Septon Pen | Sholy-Flex | Snappy | Spy-14 | Sun | Sun B | Sun 16 | Sweet 16 | Tacker | Takka | Tone | Top Camera | Toyoca 16 | Toyoca Ace | Tsubame | Vesta | Vista | Vestkam
20mm film Guzzi | Mycroflex | Top
round film Evarax | Petal | Sakura Petal | Star
unknown Hallow | Lyravit | Tsubasa
110 film see Japanese 110 film


After WWII the Japanese had a period of low spending capacity. So they enjoyed using cameras which didn't use much film material, cameras for making 14×14mm exposures on narrow paper-backed 17.5mm film. This kept film costs affordable. The main design used for most of these cameras was that of a miniature version of a simple contemporary 35mm viewfinder camera, with leatherette covered body, chrome plated parts, a film advance control window in the back and a characteristic top with a simple viewfinder and film advance knob. Most of these cameras had a non-focusable lens with fixed small aperture, a self-cocking shutter with bulb and instant mode. The Tōgōdō Seisakusho branch of Tougodo made simple versions of that camera type, and the name of its subminis became the synonym for that camera type: HIT . Several other Japanese 17.5mm still cameras had a quite similar design, some were more sophisticated, and all are called "Hit"-type cameras today. The original idea to make such 17.5mm viewfinder cameras was introduced in 1937 by camera maker Jilona Shōkai with the Midget.


The original Hit has a f/11 lens, a self-cocking shutter with release lever at the lens tube, and an advance knob that can't be turned into the wrong direction. Its production started in the years when Japanese cameras were marked "Made in occupied Japan" (1947-1951), probably in 1950. The earliest have a 30mm lens and just instant mode. Later models have also B mode and a mode switch lever at the lens tube, opposite to the shutter release.

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