Difference between revisions of "Ferrotype"

From Camera-wiki.org
Jump to: navigation, search
(LOC image)
Line 1: Line 1:
 +
{{Flickr_image
 +
|image_source= http://www.flickr.com/photos/library_of_congress/3549666828/
 +
|image= http://farm4.static.flickr.com/3573/3549666828_e562294d13.jpg
 +
|image_align= left
 +
|image_text= tintype photographer
 +
|image_by= Shahn, Ben
 +
|image_rights= public domain
 +
}}{br}}
 
{|class=plainlinks
 
{|class=plainlinks
 
||[http://www.flickr.com/photos/89864432@N00/3288940544/in/pool-camerapedia http://farm4.static.flickr.com/3250/3288940544_9cb4c98c78_m.jpg]
 
||[http://www.flickr.com/photos/89864432@N00/3288940544/in/pool-camerapedia http://farm4.static.flickr.com/3250/3288940544_9cb4c98c78_m.jpg]

Revision as of 22:04, 5 February 2011

{br}}

Ferrotypes (also known {in the USA} as Tintypes) are photographs made onto black-enamelled iron plates by the wet-collodion process. The black background made the transparent areas of the negative image appear black, and the dark, silvered areas were whitened using mercuric bichloride, and so appear light - in the same way as glass Ambrotypes.

French photographer Adolphe A Martin was the first to use this process, in 1853. A dry ferrotype processes later replaced the wet-plate system. As the process could be carried out inside the camera and needed no drying time, dry ferrotypes were popular with "while-you-wait" beach and street photographers[1]. Some cameras were advertised specifically for this purpose, such as the Mandel-ette.

Since the image must be viewed from the silvered side of (non-transparent!) plate, the image is left-right reversed (mirror-imaged) - a fault shared with most Daguerreotypes.

The process was used in the US until the early 1940s.

  1. Focal Encyclopedia of Photography, Focal Press, 1976 edition, p.588