Difference between revisions of "Ferrotype"

From Camera-wiki.org
Jump to: navigation, search
m
(Links to old auction catalogue listings of Ferrotype cameras; added to caption. Moved text up.)
Line 1: Line 1:
 +
<div class="floatright plainlink" style="margin:0px 0px 10px 15px;">
 
{{Flickr_image
 
{{Flickr_image
 
|image_source= http://www.flickr.com/photos/library_of_congress/3549666828/
 
|image_source= http://www.flickr.com/photos/library_of_congress/3549666828/
|image= http://farm4.static.flickr.com/3573/3549666828_e562294d13.jpg
+
|image= http://farm4.static.flickr.com/3573/3549666828_e562294d13_z.jpg
|image_align= left
+
|image_align=  
|image_text= tintype photographer
+
|image_text= Tintype street photographer. The cylinder behind<br/>the photographer's wrist is the developing tank.
|image_by= Shahn, Ben
+
|image_by= Ben Shahn
 
|image_rights= public domain
 
|image_rights= public domain
}}{{br}}
+
}}
 +
</div>
 +
'''Ferrotypes''' (also known {in the USA} as '''Tintypes''') are photographs made onto black-enamelled iron plates by the [[wet-collodion ]]process.  The black background made the transparent areas of the negative image appear black, and the dark, silvered areas were whitened using mercuric bichloride, and so appear light - in the same way as glass [[Ambrotype]]s.
 +
 
 +
French photographer Adolphe A Martin was the first to use this process, in 1853.
 +
A dry ferrotype processes later replaced the wet-plate system.
 +
As the process could be carried out inside the camera and needed no drying time, dry ferrotypes were popular with "while-you-wait" beach and street photographers<ref>''Focal Encyclopedia of Photography'', Focal Press, 1976 edition, p.588</ref>. Some cameras were advertised specifically for this purpose, such as the [[Mandel-ette]].
 +
 
 +
Since the image must be viewed from the silvered side of (non-transparent!) plate, the image is left-right reversed (mirror-imaged) - a fault shared with most [[Daguerreotype Process|Daguerreotypes]].
 +
 
 +
The process was used in the US until the early 1940s.
 +
 
 +
 
 
{|class=plainlinks
 
{|class=plainlinks
 
||[http://www.flickr.com/photos/89864432@N00/3288940544/in/pool-camerapedia http://farm4.static.flickr.com/3250/3288940544_9cb4c98c78_m.jpg]
 
||[http://www.flickr.com/photos/89864432@N00/3288940544/in/pool-camerapedia http://farm4.static.flickr.com/3250/3288940544_9cb4c98c78_m.jpg]
Line 14: Line 27:
 
||[http://www.flickr.com/photos/89864432@N00/3690823553/in/pool-camerawiki http://farm4.static.flickr.com/3644/3690823553_226787508c_m.jpg]
 
||[http://www.flickr.com/photos/89864432@N00/3690823553/in/pool-camerawiki http://farm4.static.flickr.com/3644/3690823553_226787508c_m.jpg]
 
|-
 
|-
||young American
+
||Young American
 
||American couple
 
||American couple
 
||American family
 
||American family
||two gentlemen
+
||Two gentlemen
||two young ladies
+
||Two young ladies
 
|}
 
|}
'''Ferrotypes''' (also known {in the USA} as '''Tintypes''') are photographs made onto black-enamelled iron plates by the [[wet-collodion ]]process.  The black background made the transparent areas of the negative image appear black, and the dark, silvered areas were whitened using mercuric bichloride, and so appear light - in the same way as glass [[Ambrotype]]s.
+
{{Br}}
 
+
<references />
French photographer Adolphe A Martin was the first to use this process, in 1853.
 
A dry ferrotype processes later replaced the wet-plate system.
 
As the process could be carried out inside the camera and needed no drying time, dry ferrotypes were popular with "while-you-wait" beach and street photographers<ref>''Focal Encyclopedia of Photography'', Focal Press, 1976 edition, p.588</ref>. Some cameras were advertised specifically for this purpose, such as the [[Mandel-ette]].
 
  
Since the image must be viewed from the silvered side of (non-transparent!) plate, the image is left-right reversed (mirror-imaged) - a fault shared with most [[Daguerreotype Process|Daguerreotypes]].
 
 
The process was used in the US until the early 1940s.
 
 
<references />
 
  
 +
===Links===
 +
Ferrotype cameras in a past Breker auction catalogue:
 +
* [http://www.liveauctioneers.com/item/8777595 Aptus], for 1¾&times;2½ inch exposures, by Moore & Co. of Liverpool, c.1910.
 +
* [http://www.liveauctioneers.com/item/8777596 One Minute Camera], by the One Minute Camera Co. of Chigago, 1910-20.
 +
* [http://www.liveauctioneers.com/item/8777597 Mandel-ette], by the Chicago Ferrotype Co., c.1914.
 +
* [http://www.liveauctioneers.com/item/8777598 Unidentified street camera] for ferrotype and postcards, c.1910.
 
[[Category: Photographic processes]]
 
[[Category: Photographic processes]]

Revision as of 13:34, 4 August 2011

Ferrotypes (also known {in the USA} as Tintypes) are photographs made onto black-enamelled iron plates by the wet-collodion process. The black background made the transparent areas of the negative image appear black, and the dark, silvered areas were whitened using mercuric bichloride, and so appear light - in the same way as glass Ambrotypes.

French photographer Adolphe A Martin was the first to use this process, in 1853. A dry ferrotype processes later replaced the wet-plate system. As the process could be carried out inside the camera and needed no drying time, dry ferrotypes were popular with "while-you-wait" beach and street photographers[1]. Some cameras were advertised specifically for this purpose, such as the Mandel-ette.

Since the image must be viewed from the silvered side of (non-transparent!) plate, the image is left-right reversed (mirror-imaged) - a fault shared with most Daguerreotypes.

The process was used in the US until the early 1940s.



  1. Focal Encyclopedia of Photography, Focal Press, 1976 edition, p.588


Links

Ferrotype cameras in a past Breker auction catalogue: