Difference between revisions of "Ansco Titan"

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[[Ansco]] introduced this nicely-finished 6x6 folder for 120 film in the latter half of 1948<ref name= "wards">[http://www.flickr.com/photos/camerawiki/5518684882/ Ansco Titan catalog description] in [http://www.flickr.com/photos/camerawiki/5518683656/ 1948 Montgomery Ward Photographic Catalog] notes "Do not order before July 15th." </ref>. While generally similar to the  Ansco Standard Speedex & Speedex 6.3, this was decidedly an upmarket model: Advertised alongside other folders costing USD $20 to $50, its $96.86 price was surprisingly high<ref name= "wards"/>. (In 2011 dollars this would equal about $885<ref>[http://www.bls.gov/data/inflation_calculator.htm Inflation calculator] from [http://www.bls.gov/home.htm US Bureau of Labor Statistics]</ref>.) The specs offered a 90mm f/4.5 anastigmat lens; a range of shutter speeds from 1 to 1/400 sec.; and flash sync built into the shutter using an ASA-style bayonet connector. Nonetheless, this is a [[scale focus]] camera; there is no double-exposure prevention; no self-timer, and no accessory shoe.
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[[Ansco]] introduced this nicely-finished 6x6 folder for 120 film in the latter half of 1948<ref name= "wards">[http://www.flickr.com/photos/camerawiki/5518684882/ Ansco Titan catalog description] in [http://www.flickr.com/photos/camerawiki/5518683656/ 1948 Montgomery Ward Photographic Catalog] notes "Do not order before July 15th." </ref>. While generally similar to the  Ansco Standard Speedex & Speedex 6.3, this was decidedly an upmarket model: Advertised alongside other folders costing USD $20 to $50, its $96.86 price was surprisingly high<ref name= "wards"/>. (In 2011 dollars this would equal about $885<ref>[http://www.bls.gov/data/inflation_calculator.htm Inflation calculator] from [http://www.bls.gov/home.htm US Bureau of Labor Statistics]</ref>.) The specs offered a 90mm f/4.5 anastigmat lens; a range of shutter speeds from 1/2 to 1/400 sec.; and flash sync built into the shutter using an ASA-style bayonet connector. Nonetheless, this is a [[scale focus]] camera; there is no double-exposure prevention; no self-timer, and no accessory shoe.
  
 
Perhaps it was the styling that was meant to justify the premium price. The flared wind knobs and satin-finish cast top plate are undeniably handsome. Also, Ansco created a stylized, color-coded depth of field scale, which adds a nice rainbow splash to the face of the shutter.
 
Perhaps it was the styling that was meant to justify the premium price. The flared wind knobs and satin-finish cast top plate are undeniably handsome. Also, Ansco created a stylized, color-coded depth of field scale, which adds a nice rainbow splash to the face of the shutter.
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<references/>
  
[[Category:Ansco]] [[Category:USA]] [[Category:6x6]] [[Category:A]]
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[[Category:Ansco]] [[Category:USA]] [[Category:6x6]] [[Category:6x6 viewfinder folding]] [[Category:A]]
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[[Category:1948]]

Revision as of 14:40, 18 March 2018


Ansco introduced this nicely-finished 6x6 folder for 120 film in the latter half of 1948[1]. While generally similar to the Ansco Standard Speedex & Speedex 6.3, this was decidedly an upmarket model: Advertised alongside other folders costing USD $20 to $50, its $96.86 price was surprisingly high[1]. (In 2011 dollars this would equal about $885[2].) The specs offered a 90mm f/4.5 anastigmat lens; a range of shutter speeds from 1/2 to 1/400 sec.; and flash sync built into the shutter using an ASA-style bayonet connector. Nonetheless, this is a scale focus camera; there is no double-exposure prevention; no self-timer, and no accessory shoe.

Perhaps it was the styling that was meant to justify the premium price. The flared wind knobs and satin-finish cast top plate are undeniably handsome. Also, Ansco created a stylized, color-coded depth of field scale, which adds a nice rainbow splash to the face of the shutter.

Although Ansco had severed its association with Agfa during the WWII years, by 1952 the company was importing German-built 120-film Agfa Isolette and Record folders, for sale under the Speedex and Viking brands. Thus, the Titan represents a last hurrah for camera designs originating from the venerable Binghamton, New York, company.


Notes & References